Showing posts with label Elizabeth Fuller. Show all posts
Showing posts with label Elizabeth Fuller. Show all posts

Tuesday, 17 September 2013


Picture Books: Summer Holiday Reading 2012 
By Trevor Agnew

 [First published in Your Weekend Magazine, The Press, Christchurch, New Zealand]

2012 has been a great year for Christchurch’s Gavin Bishop. Not only has he had two new books published (Margaret Mahy’s Mr Whistler and Footsteps Through the Fog) but four of his earlier works have also been re-issued.  The most welcome of these is the paperback edition of Piano Rock: a 1950s Childhood. This memoir of Bishop’s early years in Kingston, on the southern shores of Lake Wakatipu, is a reminder that Bishop is a brilliantly evocative writer as well as one of the best children’s book illustrators in the world. (He also won an award for its design.) Here is life in the 1950s, with coal ranges, knitted pullovers, school concerts, steam trains, kerosene lamps, Pixie Town and girdle scones (recipe included). Both young readers and adults will be captivated by Bishop’s ability to recreate the smells, moods, fears and joys of his rural childhood, especially the climactic Guy Fawkes bonfire, where 8 year old Gavin’s imagination runs away with him.

Katarina (1990) is Bishop’s pictorial retelling of the remarkable odyssey of his great-aunt, Katarina (Catherine) McKay, 1842-1935, a Tainui Maori, who in the 1860s made the journey from the Waikato to Fortrose in Southland, to be re-united with her Scottish husband. (Intriguingly Bishop later discovered that the moko he created for the picture of his great-grandmother, Irihapeti, was identical to one she wore in real life.) The illustrations, re-scanned from the original artwork, are powerful and moving, as is Katarina’s life of devotion to her family. As Katarina puts it, “I’ve been too busy looking after my kids to die.”

 Kiwi Moon (2005) is the most perfect blending of Bishop’s story-telling skills and his artistic talent. On one level it is a beautiful tale of Little Kiwi, a rare white kiwi, and his relationship with Te Marama, the moon. The brave bird not only saves his mother from hunters’ dogs but also guides a little lost girl, a Pakeha settler, to safety. Because Little Kiwi only comes out at night, all the illustrations show night scenes, with mono-prints of plants, insects and trees. Interspersed among these are beautifully detailed ink and watercolour pictures of Maori life which tell another story without words.  Fighting between Maori and Pakeha has led to destruction and loss of life. The trees are cut down and fire rages through the bush. Bishop’s intertwined stories reach a connected and hopeful conclusion, making it a beautiful parable of New Zealand’s past (and perhaps) its future.

In Counting the Stars (2009) Bishop continues his re-telling of Maori legends and illustrating them with colourful mono-prints. The four stories tell of the separation of Earth (Papa) and Sky (Rangi), the war among the birds, Kae’s theft of a pet whale and the love of Hinemoa and Tutanekai. Each is vividly told and illustrated.

Peter Gossage has retold fifteen Maori legends in his long picture book career but The Giant of Lake Wakatipu is the first one to be set in the South Island. Using his familiar ‘stained-glass’ style of illustration, Gossage shows how the beautiful Manata was saved from Matau the giant by her lover Matakauri.  As Gossage shows, Matau’s grim fate still projects its mythical power in the pulsing waters of Lake Wakatipu.    

Kiwi Play With Me is a magnificently illustrated counting book created by Lyttelton artist, Helen Taylor. “I’m a little kiwi. Will you play with me?” A kiwi chick, who invites friends to come and play, is joined by one kea, two bats, three frogs and, so on, up to ten kauri snails. Taylor has managed the difficult feat of bringing all 56 examples of New Zealand fauna together in one glorious picture at the conclusion. The elegant shapes and dramatic colours of Taylor’s illustrations are skilfully complemented by her bouncy verse narrative.

Remember that November began life as New Zealand’s contribution to an international anthology of peace stories. Jennifer Beck uses the framing narrative of a young girl’s contribution to a speech contest, reminding her listeners that, on November the 5th 1881, an armed advance on the village of Parihaka was met by passive resistance. The story is told briefly but with power. Lindy Fisher’s dramatic collages use such powerful symbols as the plough and the white feather to reinforce Te Whiti’s famous instruction: “Be you steadfast in all that is peaceful” (An identical Maori language edition is also available.)

Mokena Reedy’s popular Timo and the Kingfish (2000) has been revised, and given handsome new colour illustrations by Jim Byrt.  Timo ignores both safety rules and Maori protocol when he goes fishing out at sea, thus endangering the life of his dog Pou. Fortunately Tangaroa is impressed by Timo’s courage, and Pou has a life-saving talent, so all ends well. This book will be a lively springboard for discussions of the issues involved.  (An identical Maori language edition is also available.)

The Best-Dressed Bear (2002) is another re-issued classic, featuring Diana Noonan’s well-loved teddy bear and his owner Tim.  Tim is a little concerned that he is outgrowing his favourite clothes and he doesn’t want Mother to give them away. Luckily Tim thinks of a solution: his teddy bear can wear them. “But just until he gets too big for them!”
This logical and amusing solution makes both Tim (and his readers) feel warm and contented. Elizabeth Fuller’s delightful pictures add to the pleasure.

Reading (and in the case of the classics, re-reading) these New Zealand picture books has given me enormous satisfaction. These are truly books that can be enjoyed by all ages.
Their high standards of design and presentation mean that there is a skilful marriage of good story-telling and inspired art.  New Zealand’s high reading standards are based on a foundation of good books about our own country, and these nine picture books are exemplars.

Trevor Agnew, Summer 2012

Full Publishing Details:

Katarina, Gavin Bishop, Random House (NZ Classic), 30pp, pb, NZ$19.99
ISBN 978-1-86979-064-6

Counting the Stars: Four Maori Myths, Gavin Bishop, Random House, 48pp, pb, NZ $19.99   ISBN 978-1-77553-017-6

Kiwi Moon, Gavin Bishop, Random House, 32 pp, pb, NZ$16.99
ISBN 978-1-86979-074-5

Piano Rock: a 1950s Childhood, Gavin Bishop, Random House, pb, 120 pages, NZ$24.99   ISBN 978-1-77553-257-6

Kiwi Play With Me: A Kiwi Count-Along Book, Helen Taylor, Puffin, 32pp, pb, NZ$19.99   ISBN 978-0-143-5049-5

Remember that November, Jennifer Beck, ill. Lindy Fisher, Huia, 32 pp, pb, NZ$20
ISBN 978-1-77550-010-0

The Giant of Lake Wakatipu, Peter Gossage, Puffin, 32pp, pb, NZ$19.99
ISBN 978-0-143-50560-0

Timo and the Kingfish, Mokena Potae Reedy, ill. Jim Byrt, 32pp, pb, NZ$20
ISBN 978-1-77550-046-9

The Best-Dressed Bear, Diana Noonan, Elizabeth Fuller, Scholastic, 24pp, pb, NZ$19.50
ISBN 978-1-77543-139-8

 

 

 

 

 
 

 

Winter Picture Books 2012
By Trevor Agnew

 These reviews of picture books first appeared in the Your Weekend magazine, 8 September 2012, published by The Press, Christchurch, New Zealand
 
The Hueys in The New Jumper  Oliver Jeffers, HarperCollins, 28 pages, HB, NZ$29.99
ISBN 978-0-00 742065-0

The Fishing Trip  Beatrice Rodriguez, Gecko, 28 pages, hb, NZ$ 24.99
ISBN 978-1-877579-24-0

Farmer John’s Tractor  Sally Sutton, ill Robyn Belton, Walker Books, 24 pages, hb, NZ$29.99   ISBN 978-1-9211150-94-4

A Mammoth in the Fridge  Michaël Escoffier, ill Matthieu Maudet, Gecko, 36 pages,
pb, NZ$19.99, ISBN 978-1-877579-15-8. 
hb, NZ$34.99, ISBN 978-1-877579-14-1

Oh No. George!  Chris Haughton, Walker Books, 32 pages hb, NZ$27.99
ISBN 978-1-4063-3225-4

The Great Orlando  Ben Brown, Helen Taylor, Scholastic, 32 pages, pb, NZ$21 ISBN 978-1-77543-087-2
 
Melu  Kyle Mewburn, ill. Ali Teo & John O’Reilly, Scholastic, 32 pages, hb, NZ$33  ISBN  978-1-77543-027-8

The Best-Loved Bear  Diana Noonan, ill Elizabeth Fuller, Scholastic, 24 pages, pb, NZ$19.50   ISBN 978-1-86943-347-5

These eight picture books have every creature from a mule to a mammoth, a hen to a teddybear, as their main characters, but they all have in common a marvellous sense of the potential humour in an everyday situation. It is always a heart-warming moment when you see a young reader spotting a joke in a book for the first time.

In his delightful picture book, The Hueys in The New Jumper, Oliver Jeffers has set up just such a transforming moment; several of them in fact. The Hueys may just be tiny egg-shaped figures with stick limbs, but they are all too recognisably human. “The thing about the Hueys was that they were all the same.”  When Rupert knits himself a sweater, he suddenly looks different. His fellow Hueys are shocked and intrigued. But then Gillespie knits himself a sweater so that he will look different as well. And it’s here that readers’ smiles start appearing, as they get the joke. More are to come.

Appearances can be deceptive, as Béatrice Rodriguez enjoys showing in her series of wordless picture books about the adventures of a fox and a hen, The Chicken Thief (2009) and The Treasure Thief (2011). Their sequel, The Fishing Trip, begins with Fox and Hen at a moment of crisis; there is no food. Leaving her precious egg in Fox’s care, Hen sets off with Crab to catch some fish. The visual aerodynamics of the pair’s battles with vigorous fish, a very hungry eagle and a very, very hungry eel provide some gleeful slapstick fun. Then comes the triumphant return home, and a sudden panic. Has Fox eaten her egg? Once again Rodriguez forces her young ‘readers’ to re-examine the evidence, before they enjoy the happy ending.

Sally Sutton has a great ear for sounds and rhythms, so Farmer John’s Tractor, her verse account of cumulative disasters during a flood is wonderful to read aloud. “It rushes and gushes. It spurts and twirls.” The flood creates traffic mayhem, and soon a series of vehicles are trapped, including a tow-truck and a fire-engine. At each crisis, the chorus reminds us that “Farmer John’s tractor lies locked in the shed.”  Soon Farmer John produces the key and the rusty tractor chugs off to the rescue. Robyn Belton’s water colour illustrations are delightfully rich in detail, such as the procession of piglets that trails after Farmer Jones.

The title sets the scene perfectly in Michaël Escoffier’s A Mammoth in the Fridge.  A French family’s meal is interrupted when young Noah spots the giant beast hiding in their refrigerator. “Whoops!” Firefighters fail to capture the fleeing mammoth, which stampedes down the street and climbs a tree. When the mammoth declines to leave the tree, everyone loses interest and goes home. Even as the sheer ridiculousness of this situation tickles the funnybone, the question arises: what is going on? Escoffier is in full control of his plot and the events that follow make perfect sense. They’re also skilfully illustrated by Matthieu Maudet, who has certainly created the best picture ever seen of a mammoth climbing quietly up the stairs.

Oh no, George! is both the title of Chris Haughton’s very funny picture book and the response to the question repeated throughout it: “What will George do?” Since George has been left at home with some pot plants, a cat and a cake, the answer is no surprise. What is surprising is what follows when George decides to be really good. “I hope I’ll be good, George thinks.

The Canterbury author-artist team of Ben Brown and Helen Taylor has taken a new path with The Great Orlando, a picture book about an ill-treated boy who seeks an escape in magic tricks. His conjuring performance with a dove at his school concert is not only a success for Orlando, but also enables him to deal with his cruel father in a way that young readers will enjoy.  As always, Helen Taylor’s magnificent pictures contain hidden depths

Melu is the unforgettable name of the mule, who stars in the latest picture book written by Kyle Mewburn and illustrated by Ali Teo and John O’Reilly, (the award-winning team who created Kiss! Kiss! Yuk! Yuk!) Melu is always out of step. “When the herd clipped, Melu clopped.” Defying his herd’s advice, Melu leaves the sun-baked hills and sets out for the grassy plains and gleaming sea. There are many barriers in his way but Melu finds that with the help of new friends and their sharing of talents, a new life is possible. This is a cheerful fable, with gentle humour and lively illustrations. 

Best news of all is that Diana Noonan’s classic The Best-Loved Bear (1994) is back as a Platinum bestseller. Battered, balding, tatty and missing most of his left ear, Tim’s teddybear Toby is his best friend. (Elizabeth Fuller’s pictures are a perfect reminder of all the threadbare bears in our past.) Toby is also a source of worry for Tim, when his class holds a best-loved bear contest. Ashamed, Tim smuggles shabby Toby to school in a brown paper bag, but the judge has a surprise for everyone. The children who read this prize-winning book when it was first published are now old enough to be parents and teachers. What memories they’re going to have as they read it to the next generation!

Trevor Agnew
April 2012