Showing posts with label 2014. Show all posts
Showing posts with label 2014. Show all posts

Thursday, 7 May 2026

 Some Gavin Bishop Classics

 

Bidibidi  Gavin Bishop


Bidibidi  Gavin Bishop
Oxford University Press (1982)
Scholastic (2014)
Picture book, 36 pages
ISBN 978 1 77543 192 3

 

 

Gavin Bishop’s first published book is a classic of the South Island high country, the adventures of a rebellious ewe. On a ‘hot and windless day in the mountains’ Bidibidi the sheep finds she is dissatisfied with life. She leaves the flock and heads up into the hills in search of the rainbow.

As she moves through the Canterbury high country, Bidibidi meets typical creatures (a kea, a trout, a sheep-dog) who help her in her quest. Eventually she finds a bearded old man, a strangely symbolic figure, ‘dressed in clothes the colour of the hills’. This is Rainbow Jackson, who lives in the mountains and makes the rainbows with a hurdy-gurdy. Bidibidi is happy mto stay with him. When he grows old, Bidibidi takes over his work, ‘I’ll make the rainbows now,’ she says.

This is a lovely picture book, with lots of jokes and the symbolism of Rainbow Jackson to think about. The various creatures depicted all have strongly individual voices and this makes it a good story to read aloud. Already Gavin Bishop's appreciation of New Zealand architecture can be seen in his depiction of the run-down remains of a country hotel.

An identical Māori language edition was published by Scholastic in 2001. The Māori language translation by Apirana Mahuika.

Note: Piripiri is a New Zealand native plant which grows in a mat with clinging burr seeds. This Māori name was often anglicised as Biddybiddy or Bidibidi. Biddy is a disused term for an old woman, so Bidibidi’s name is doubly evocative.


In 2014 Scholastic re-issued Bidibidi in a sumptuous large format paperback edition.
Although his Mrs McGinty and the Bizarre Plant was published in 1981, Bidibidi (1982) was actually the first book that Gavin Bishop wrote and illustrated. It was appropriate that its re-issue came just as Gavin Bishop was named an Officer of the New Zealand Order of Merit (ONZM) for services to children’s literature in the 2014 New Year’s Honours List.

Awards:
Winner: Noma Concours Prize for Children’s Picture Books (Japan) 1982
Finalist: NZ Post Children’s Book Awards: Picture Book of the Year 1983

 


 

Trevor Agnew, 2014



The Three Billy Goats Gruff  Gavin Bishop

 

The Three Billy Goats Gruff  
Gavin Bishop
Scholastic (2003)
Picture book, Paperback, 32 pages 
ISBN 1869435877

 

Gavin Bishop provides a faithful retelling of the original Norwegian folktale of The Three Billy Goats Gruff, as set down by Peter Christian Asbjornsen (1812-1855).

Gavin Bishop’s colour illustrations of the three goats are superbly rendered, with his usual combination of imaginative flair and skill. The goats are completely convincing, especially their eyes. He also creates magnificent mountains and a convincingly realistic narrow bridge made from a single tree trunk. His troll is thoroughly unpleasant, right down to his tombstone teeth, and thoroughly deserves his downfall.

This is a splendid companion to Gavin Bishop’s interpretations of Chicken-Licken, Mr Fox and The Three Little Pigs.

Trevor Agnew, 2003



A Apple Pie  Gavin Bishop

 

A Apple Pie
Gavin Bishop
Oxford University Press                                

Alphabet book (1987)
32 pages
0 19 558164 4 [English edition Hb]
7 50072 531 0 [Chinese edition Pb]

 

This is an alphabet book based on the traditional nursery rhyme but with remarkable pictures which have given it classic status. There are dancing ducks, exercising elephants, kissing kangaroos and racing rabbits. Gavin Bishop’s skilfully detailed illustrations are a delight. The be-shawled crying cow reaches for a box of tissues, while the octopus opening the pie stretches over three pages.

For those who don’t recognise the animals, their names are concealed upside-down in a corner of each page.

 An ideal format for small hands.

 An identical Chinese language edition was published in 1995 by Zhong guo shao nian ertong in Beijing.

  Trevor Agnew

Sunday, 8 March 2026

 

The Curioseum: Collected stories of the Odd & Marvellous

 

The Curioseum: Collected stories of the Odd & Marvellous (2014)           
Editor: Adrienne Jansen; Illustrator:Sarah Laing
Te Papa Press (Wellington, NZ)
 

All the stories in this book started out as objects in a museum.’
Editor Adrienne Jansen assembled this collection of 22 stories and poems of the ‘odd and marvellous’ in an odd and marvellous way.  Twenty-two odd and marvellous writers looked at the public displays and poked through the back rooms of Te Papa, New Zealand’s national museum. Inspiration was created by everything from a beaded purse (carried by a refugee) to a heavy suit (made for a shipwreck survivor).
Barbara Else brings the hat collection to life, while Joy Cowley’s story combines an adventurous cat and Te Papa’s giant squid exhibit.
The short stories are:
Joy Cowley, Puss, Puss, Puss
Jo Randerson, Things from Other Places
Ant Sang, Samurai Takeshi’s Return
Marisa Maepu, The Saurus
Mandy Hager, The Beaded Purse
Paora Tibble, Kiore Whispers
Elizabeth Knox, A Doll for the Captain
Phillip Mann, Sa-Li
Raymond Huber, Spineless
Kyle Mewburn, The Fold-Away Boy
John McCrystal, A Dog’s Tales
Dave Armstrong, Soldiers
Anatonio te Maioha, Puki, Mum and Me
Barbara Else, The Flyaway Hat
Moira Wairama, Rupe and the Kurī
Emily Hunter, Bear Diaries
Tusi Tamasese, The Demon in the Village
 
The poems are:
Frances Samuel, Monster Fish
Tusiata Avia, Who Am I?
Margaret Mahy, The Fantail.
James Brown, Te Papa Bike Makeover
Bill Manhire, Magnitude
This is a high quality collection of prose and poetry, with authors aiming to inspire a sense of curiosity in their readers. The line illustrations are by Sarah Laing who is also the designer.
Recent edition info:
Publisher name:                      Te Papa Press
Binding                                   Paperback
ISBN [13]                               978 1 877385 92 6 
Trevor Agnew 
23 Sep 2025 [Review 3797]



 

Thursday, 23 June 2022

Books about Matariki



15 books about Matariki


Chosen and described by Trevor Agnew, 24th June 2022

1. Matariki, Melanie Drewery, Bruce Potter (ill) Reed (2003) Puffin (2016) 

The whole family go down to the beach for a bonfire before dawn. They cook kumara (sweet potato) and wait for the Matariki star-cluster to rise over the horizon. Nanny tells the children several stories and legends of Matariki. ’Some people say that Matariki is made up 
of the seven houses of the gods, 

and that people’s spirits go there when they die’ said Nanny, wiping tears from her face.
They eat their kumara and bread by the fire on the first morning of the Maori New Year.

This is a good story for showing celebrations within different cultures. The children ask their mother which of the many Matariki legends they should believe. ‘Well,’ said Mum, ‘Think of the story that feels right in your heart. That is the story for you.’

Bruce Potter’s pictures of the stars and the family on the beach are dramatic.

Note: Matariki is also known as the Pleaides, a small cluster of stars. From a New Zealand viewpoint, Matariki vanishes in the east about mid-April, then reappears about the end of May or later, above the north-east horizon, before dawn. The return of Matariki marks the beginning of the Maori New Year. Traditionally the Maori counted seven stars, sometimes described as Matariki and her six daughters. The smell of the food prepared by the watching people was said to revive Matariki, who was weak and hungry after her journey in the darkness.



2. Celebrating Matariki Libby Hakaria, Reed (2006)

This splendidly readable book uses the Matariki constellation as a framework for a range of information about the stars, Maori seasons, fishing, hunting, gardening and legends.

Matariki, known to the Greeks as the Pleiades, marks the beginning
 of the Maori year, when it rises above the horizon in early June. Traditionally the first full moon after the rising of Matariki was a time for feasts and celebrations and the hunting and preserving of birds. A wide range of activities, including telescope-making, kite-flying and cooking are included. (The recipe for Kumara Chowder is excellent.) The book’s design is attractive, with clear double-page spreads, and good use of colour and fact-boxes. The text is well laid-out and very readable.

In a nice touch, the Japanese name for Matariki, Subaru, is noted with a picture of a New Zealand rally team in their Subaru. Several songs about Matariki are included in an accompanying CD, and the lyrics are printed in the book in both English and Maori.

This book fills a gap in libraries and schools, providing background material for fictional books on Matariki. At the same time Celebrating Matariki is so attractively presented that it can be read for simple enjoyment.



3. Glow Worm Night Don Long, Tracy Duncan (ill.) Reed (2004)

This book is about a family observing the Maori traditional New Year, marked by the first appearance of the group of stars, Matariki. A young girl tells how she goes with her father and brother into the nearby bush late at night. They switch off their torches and look at the stars. 
Dad points out Matariki the Pleaides).

After that, everyone looks for glow-worms. 
Then, there they are – glowing along the stream. Glow-worms! Puratoke. They see some nocturnal creatures, such as the morepork (native owl) and freshwater crayfish. 
Later Mum gives everyone Milo and tucks them into bed. ‘Sweet glow-worm dreams,’ she whispers as she switches off the light.
As Tracy Duncan’s handsome colour illustrations make clear, Dad is Maori and Mum is Pakeha (non-Maori). Some of the dialogue is in Maori, as when Dad says, Tino makariri before everyone puts coats on to keep out the cold (makariri). The context and the illustrations always make the meaning clear to non-Maori speakers.
Tracy Duncan’s illustrations always reward careful study. There are creatures, such as the Puriri moth to be spotted in the bush scenes, and books in the house. The young girl is reading Taniwha, by Robyn Kahukiwa.

Note: Matariki, also known as the Pleaides, is a small cluster of stars. From a New Zealand viewpoint, Matariki vanishes in the east about mid-April, and then reappears about the end of May or in June, above the north-east horizon, before dawn. The return of Matariki marks the beginning of the Maori New Year. Traditionally the Maori counted seven stars, sometimes described as Matariki and her six daughters.



4. Scoop and Scribe Search for the Seven Stars of Matariki  
Tommy Kapai Wilson,  Rob Turvey (ill)  Random House (2009)

Tommy Kapai Wilson was a newspaper columnist and children’s author who, in 2008, wrote a children’s action serial for the NiE (Newspapers in Education) newspaper educational supplement. It was revised and reprinted as a book in 2009. Scoop and Scribe search for the Seven Stars of Matariki is slim on characterisation but is certainly a fast-moving fantasy adventure. 
After a tip-off by a mysterious tohunga named Koro Whetu, ace junior reporters 
Scoop and Scribe are commissioned to seek the seven lost stars which form the constellation Matariki (also known as the Pleiades or Subaru).

Whetu guides the intrepid news-crew as they travel around New Zealand collecting the stars, which have been stolen by a kea (mountain parrot). A prominent local feature plays an important part in each chapter, so that the stolen statue of Pania of the Reef is recovered in Tauranga, while at Katikati, Donald Paterson’s sculpture Barry, (the only NZ statue to feature a newspaper) assists in the search.
With its many Maori characters and references, the story is accompanied by a Maori-English glossary and some factual material about Matariki and the Maori New Year.

Rob Turvey’s colour illustrations help make this an attractive presentation of a light-hearted fantasy quest, with an appeal for young male readers.



5. The Seven Stars of Matariki Toni Rolleston-Cummins Nikki Slade-Robinson (ill.) Huia (2008)

The Maori New Year is traditionally marked by the rising of the star cluster Matariki (also known as Subaru and the Pleiades). There are many Maori legends about Matariki.
This picture book retells a Maori tradition of Matariki’s origins, from the Bay of Plenty region of the North Island, and introduces some associated customs and rituals.

Mitai, who lived at Maketu (near modern Whakatane) had the power
 to change himself into a bird.

When his seven elder brothers were entranced by seven beautiful golden-haired women, they ignored Mitai’s warning that the seven women were really patuparaeihe (fairy folk).
Mitai overheard these women (who could turn themselves into fantails) plotting to starve their new husbands to death. He persuaded his brothers – now gaunt with hunger – to weave nets so they could capture their seven murderous wives while they were still in fantail form. Then Mitai flew up and handed the captive fairies over to Urutengangana, god of the stars, who placed them far from Earth. Once a year, the god allows their golden beauty to shine out. So at each winter solstice, the seven stars of Matariki appear above the horizon.



6. Little Kiwi’s Matariki 


Nikki Slade Robinson (text and ill) Duck Creek Press (2016)


The little Kiwi and her friends discover the joy of Matariki in this charming picture book. A beam of moonlight wakens little kiwi. The tiny kiwi realises the time has come and runs through the bush in the darkness. One by one, she wakens her sleeping friends and tells them to come and see something exciting. ‘Can you feel it coming?’

Before long she has a procession of creatures (including 
katipo spider, tui, weka and a family of ruru (owls)) trailing
behind her. Young readers will enjoy the parallel to Chicken-Licken.
Finally they all arrive at the beach and stand in the moonlight, as Matariki rises. They celebrate the New Year in the traditional Maori ways. For example, the katipo weaves a silken kite and flies it as part of the fun and games.
‘Matariki?’ said Tui, ‘Time for music and dance!’ He sang to the stars.
The author’s illustrations are stylised and streamlined representations of New Zealand plants and birds. They are also witty. The tiny owlets are all eyes and the weka (woodhen) is a speedster.

Little Kiwi’s Matariki also includes an explanation of Matariki – it's origins, traditions and how it is celebrated today. The constellation is shown, with the Māori names for each star. The story also offers what Nikki Slade Robinson describes as ‘a gentle introduction to te reo within the English text.

Winner Best Picture Book of 2016 in the New Zealand Book Awards for Children.

Shayne's reading of Little Kiwi’s Matariki is available on YouTube  



7. The Seven Kites Of Matariki  Calico McClintock, Dominique Ford (ill.) Scholastic (2016)

The Seven Kites of Matariki is a modern tale about Matariki. It explains why the star cluster known as Matariki can be seen in an early morning winter sky, low on the eastern horizon.

In a Maori village, seven sisters are making kites to celebrate the arrival of the new year, just as their mothers and grandmothers had before them.
Each girl makes a different kite using local materials; 
the youngest sister, Ururangi makes ‘a many-
coloured kite with eyes of paua shell’.
The seven girls climb a hill to fly their kites and argue with each other about whose kite will fly highest.
‘My kite is the best.’
Unfortuately there is no wind on the hilltop and so the seven girls wrap themselves in their cloaks and wait beneath a giant puriri tree. Exhausted, they soon fall asleep. When the wind blows from the east, crying ‘Wake up. Wake up’ they don’t hear it. But their kites lift up in the wind, which carries them fluttering up into the sky.

Much later, Ururangi wakes up, sees her kite gone and awakens her sisters to tell them of their loss. Her six sisters look out into the morning sky and see their six kites flying there like the new year stars. The six head back to the village for kai (food).
Ururangi remains behind searching the skies for her kite. She is rewarded by being the first to see the seven stars of Matariki appear.

Dominique Ford’s beautiful illustrations capture the symbolism of the story well. Each kite is based on a traditional design and the colours are matched to the appropriate plants and shells used in making them.

Note: Ururangi is the Matariki star traditionally associated with the wind.

Shayne's reading of The Seven Kites of Matariki is on YouTube.



8. Tawhirimatea: A Song for Matariki June Pitman-Hayes, Kay Merewether (ill.) Scholastic (2017)

''Tāwhirimātea, blow winds, blow.’
This picture book (which doubles as a song book) shows the world through the eyes of a Maori family. As they gather shellfish, plant a tree, and have a family picnic, their words are reminders of the importance of the natural world about them. The seasons pass by, until the rising of the stars of Matariki signal the beginning of a new year.
‘Our universe is an amazing nature show.’

The second part of the book consists of the same lyrics, this time in Maori. 
Now, let’s sing it in Maori.’ 
The Maori words are by Ngaere Roberts.
‘Ko te ao nui, he Whakaari, miharo.’

The watercolour illustrations by Kat Merewether perform a double service. They show the family along with the birds, fish and plants in their natural surroundings but they also illustrate the traditional Maori pantheon of supernatural beings. Tāwhirimātea is the god of the winds, and his face appears, cheeks puffed, among the clouds, while Ra provides the sunshine and Ua the rain.

Each picture has its secret for young readers to spot.

On an accompanying CD, both versions of the song are performed by June Pitman-Hayes with her own ukulele accompaniment. There is also an instrumental track for young vocalists to sing along to.



9. Stolen Stars of Matariki Miriama Kamo, Zac Waipara (ill.) Scholastic (2018)

Stolen Stars of Matariki is a splendid picture book bringing some of the Māori traditions associated with Matariki into a 21st Century context.
Young Te Rerehua and Sam are visiting their grandparents at one of Canterbury’s important Maori traditional sites, Te Mata Hapuku (Birdlings Flat), a massive shingle spit and traditional eeling site. It is “a magical wild, windy place,” where they can gather agates on the beach. While Poua (grandfather) is gaffing eels at night, the children lie on the shingle with Grandma, looking up at the stars. One night Grandma spots something strange; there are two stars missing from the Matariki cluster. The patupaiarehe (fairy folk) have been stealing stars again. 
Their plan is to hide the stars beneath the
shingle, to be smashed to pieces, so they can wear the fragments on their clothing.
Using Grandma’s knowledge (and Poua’s gaff) Te Rerehua and Sam manage to infiltrate and outwit the mischievous patupaiarehe, and restore the kidnapped stars to their rightful place in the heavens.
Miriama Kamo has written a beautifully-styled story which has the simplicity and power of traditional folk tales.

Zak Waipara has produced magnificently atmospheric illustrations, with richly patterned and coloured backgrounds. He has successfully achieved the difficult task of mixing human and supernatural characters, as well as the technically difficult feat of portraying night-time activities. The result is a handsome and appealing picture book.

Stolen Stars of Matariki now joins a select mini-library of celebrations of Matariki.
These include Matariki (2003), Glow-Worm Night (2004), The Seven Stars of Matariki (2008), and Tawhirimatea: A Song for Matariki (2017).

In 2018 Scholastic also published a Maori language edition, Nga Whetu Matariki Whanakotia, with the Maori translation by Ngaere Roberts. 

Note: The rising above the N.E. horizon (in May-June) of the star cluster Matariki marks the Maori New Year. While it is common to count seven stars forming the cluster known as Matariki (or Subaru or Pleaides) some Maori identify nine. Their names are Matariki, Pōhutukawa, Waitī, Waitā, Waipuna-ā-rangi, Tupuānuku, Tupuārangi, Ururangi, and Hiwa-i-te-rangi. - info from Christchurch Library Website: The Nine Stars of Matariki

During the 2020 Covid-19 Lockdown, musicians from the New Zealand Symphony Orchestra provided a musical background, as Miriama Kamo read The Stolen stars of Matariki aloud. The composer of the original music is Claire Cowan.
Website: https://www.youtube.com/watch?v=sWWcM0BWwwc


10. Together in Love: a Legend of Matariki  Xoë Hall (text & ill.) Teacher Talk (2018)

This picture book is a brief retelling of the Māori creation legend telling how the children of the gods Ranginui and Papatūānuku force them apart to let in the light and allow the world to flourish. Tāwhirimātea, god of the wind, angered by this action of his sibling gods, tears out his lightning-bolt eyes and throws them up into the sky. They explode to become 
the star cluster of the Matariki constellation, which 
is now the harbinger of the Māori New Year.

 

When Māori come together at new year, to celebrate, they tell this story to their children as their parents did before them.

Xoë Hall’s simple retelling is nicely matched by her colour illustrations. She uses bright colours and traditional Maori designs to make the various gods distinctive figures.

Shayne’s reading of Together in Love is available on YouTube:



11. Twinkle, Twinkle, Matariki Rebecca Larsen (text and ill.) Imagination Press (2019)
Whistle like the windy sky,
Sprinkle showers passing by.


This charming picture book is both simple and useful. Within an over-arching story format of three native birds (Hoiho, Pukeko and Kiwi) touring outer space in a rocket, it presents a series of simple songs (with a familiar tune) about such things as our food, how it is grown, the seasons, the weather,

and of course the stars that act as markers.

Rub your puku round and round
Food we’ve grown, caught or found.


Bright colourful illustrations by the author match the simple songs, which are provided in both Maori and English. Particularly pleasing is the spaceship which is decorated with Maori motifs, an inspiration for young kiwi astronauts.
A pictorial Glossary ensures that all is explained.
These songs scan well and provide young people with useful vocabulary. The words are provided in both English and Maori. (Translators: Tania Solomon, Justin Kereama).

A bonus CD has the songs sung in both English and Maori by Paul Inia. (Music by Richard Larsen.)

Twinkle, Twinkle, Matariki is the perfect book for a kindergarten or kura kaupapa sing-along in English or Te Reo.



12. The Promise of Puanga: A Story for Matariki  Kirsty Wadsworth,  Munro Te Whata (ill), Scholastic (2019)

‘Hana and Puanga did everything together.’
The Promise of Puanga is a picture book about two friends, and the fun they have together, watching new-born animals in spring, swimming in summer and riding their bikes through the leaves in autumn.
A problem in their area is that winter comes without warning, killing the un-gathered crops. When Hana speaks to Puanga about this problem and the need for a warning about the approach of winter, she gets an astonishing confession.
                                                                                                                 
‘I’m really a star,’ Puanga explained.
She has left her Matariki cousins in order to ‘explore and go on adventures.’
Hana has never seen the stars of Matariki because of the nearby hills and mountains.
Puanga summons Tāwhirimātea, the guardian of the wind, to take her back up into the sky to be a guardian for Hana’s village.
Tāwhirimātea promises that when Hana sees Puanga shining brightly in the sky, she will know it is time for the people to gather their crops. ‘She is our own special sign,’ says Hana. And so it happens.

Munro Te Whata’s splendid illustrations convey the friendship of the two girls in several charming scenes. His portrayal of Tawhirimatea is equally skilful, bringing together the colour of the night sky, the shape of the nearby mountain and the suggestion of clouds as his hair and beard.
The result is a lovely modern story based on traditional Maori elements.

This picture book, The Promise of Puanga, fills an unusual gap. In recent years some half-dozen New Zealand picture books have been published with stories about the cluster of stars Matariki, the rising of which signals the coming of winter and marks the traditional Maori New Year. What none of these books has mentioned is that in some areas along our western coasts, mountainous terrain prevents sighting of these stars (also known as the Pleiades, Mao or Subaru). The Promise of Puanga tells in story form how this astronomical difficulty was solved for the Maori people living in these western areas by the rising of Puanga (also known as Rigel).

There are Teaching Notes for this book at: The Promise of Puanga

A diagram showing Matariki and Puanga is at: https://teara.govt.nz/en/diagram/14080/puanga

In 2019 Scholastic also published an identical Maori language edition, He Purakau Matariki, Te Ki Taurangi a Puanga.



13. Flit the Fantail and the Matariki Map  Kat Quinn (text and ill.)  Scholastic (2021)

This third picture book in the Flit the Fantail series is written and illustrated by Kat Quin (formerly Kat Mereweather).
We’re lost! Flit and Keri cry.
Lured by the moonlight and unable to sleep, Flit has left the safety of his nest and ventured down to the dark forest floor. Flit hopes to capture the moonlight (in order to illuminate his nest). Through the trees, he can see the star cluster known as Matariki.
Tahi, rua, toru, whā, rima, ono, whitu, waru, iwa, he counts.
                                                                                                       
Keri the young kiwi, out foraging, offers to help Flit in his quest. They struggle through the bush and scrub and climb up high but are still unable to reach the moon. The pair realise that they are lost. How can they find their way home?
Ruru the owl sees them huddled together and points to the stars above.
Sometimes those special stars can even guide us home.

Flit spots the cluster of nine stars he saw earlier above his home. He carefully pecks nine holes into a kawakawa leaf in the shape of Matariki. Then the two birds make their way home, using the leaf map to follow the Matariki stars. They reach home just before the sun rises. Flit then has a bright idea. Perhaps he can capture the sun and use it to light his nest at night?

The charming colour illustrations are by the author, Kat Quin.

An identical Maori language edition of Flit the Fantail and the Matariki Map was also published by Scholastic NZ in 2021, as Ko Flit te Tirairaka te Mahere Matariki.



14. Daniel’s Matariki Feast  Linley Wellington & Rebecca Beyer (text)
Christine Ross (ill)  Duck Creek Press. 
English ed (2014); Māori ed (2015) and combined English Māori and Chinese pinyin ed (2021).

On his first day at kindergarten, Daniel is shy.                                              

He is puzzled that they will be having a feast 
because of the stars. 
Then he listens to some of the other children 
telling stories of the Māori New Year.

At home Daniel tells his mother about the feast and she makes a spicy pumpkin soup using her late mother’s recipe. (This is a subtle reminder that Matariki is also a time for remembering those who have died.) Daniel has fun working in the garden with his new friends and afterwards he enjoys his Matariki feast.

Christine Ross’s illustrations really capture the world of small boys and also give a good idea of how to greet the Māori new year.


15. Matariki Around the World Rangi Matamua & Miriama Kamo
Isobel Joy Te Aho-White (ill.) 82 pages, hardback, Scholastic (2022)


The subtitle tells it all: A Cluster of Stars, A Cluster of Stories.
Miriama Kamo and Rangi Matamua have gathered stories from around the world that are linked to the distinctive group of stars known to Maori as Matariki. ‘All around the world, the star cluster has different names, different stories, different mahi (jobs), and even different numbers of stars.’ The result is the best book ever written about Matariki.    


The first part of Matariki Around the World describes the Māori traditional creation of the 
world and has handsome double-page descriptions of the Maori gods and the lunar calendar. There are similar double-page retellings of some Māori traditions concerning the attributes of each of the stars Matariki and her eight children (Pōhutukawa, Tipuānuku, Tipuārangi, Waiti, Waitā, Waipunarangi, Ururangi and Hiwa-i-te-rangi). For example Tipuānuku cares for food grown in the earth, and her brightness gives an indication of how kumara crops will fare in the year ahead.
‘Anā! Te paki o Matariki. Behold! The wonders of Matariki.’

The second part of the book offers some retellings of Matariki stories from other cultures around the world. Not only the well-known Pleiades (Greece) and Subaru (Japan) legends are offered but also a range of stories from Africa, Australia, China, India, Scandinavia and North and South America. All are fascinating but the most interesting are the ones from the Pacific, with the similarities and differences sympathetically examined.

The writing style of this book is remarkable. The text is well researched and culturally sensitive but it is also written in a relaxed and witty style. Here the authors are revealing the Viking name for Matariki: ‘So you would think they’d have a pretty tough-guy name for the Matariki cluster, wouldn’t you? Nope. They called it…ahem…Freya’s Hens. Hens? What? Are hens hardy, battle-scarred warriors?’ (We also learn that some Vikings preferred to think of Matariki as a ladybird because of the insect’s seven spots.) Either way, Freya was the goddess who cared for the spirits of dead warriors. ‘So Freya is pretty cool.’
Writing like this makes for enjoyable reading.

Each story is beautifully illustrated by Isobel Joy Te Aho-White.
Best of all, this handsomely designed book has an excellent index and glossary.
It is a picture book which every home should have.

Trevor Agnew  
24 June 2022
The first celebration of Matariki as a New Zealand public holiday.



Thursday, 26 November 2015

I am Doodle Cat


I am Doodle Cat 
Kat Patrick, ill. Lauren Marriott,
Beat Books, 32pages, hardback, $29

I am Doodle Cat. I only know what I love,” is the arresting opening of this feline-flavoured book. Doodle’s list of things he loves is sometimes predictable – “I love friends” – occasionally unexpected – “I love maths” – and sometimes highly amusing to young readers of a certain age – “I love farts.”

The sheer unpredictability of Doodle’s choices makes this a book that will encourage readers to do some thinking. His claim to love the ocean, for example, may lead to scepticism. The maths-loving claim is justified by his carefully counted treasure trove, which includes three dead birds and four dead lizards. Doodle is no sentimentalist.

Doodle, who is artfully portrayed in Lauren Marriott’s skilful illustrations, saves his final question for the reader, “Who do you love?” Nor does the book end there. Kat Patrick has used the end-papers to explain the reasons for some of Doodle’s choices. Thus we are told what is important about trees, fractals, stars and – yes - even farts.
 
Trevor Agnew

This review was published on 24 Jan 2015, in Your Weekend magazine [Fairfax].

I am Doodle Cat  Kat Patrick, ill. Lauren Marriott (2014) Beat Books [Beatnik Publishing, Auckland], 32pp, hb, NZ$25. ISBN 978 0 9922648 2 6

A Little ABC Book review


A Little ABC Book  
Jenny Palmer (2014)
Beat Books, 28pp, $25
 
An Alphabet book

Most alphabet books are intended for the very young but A Little ABC Book has been written for older children who delight in word play, puns and making interesting new additions to their vocabulary.  The 26 animals chosen by Auckland author-artist Jenny Palmer are an eclectic group, including the Bearded Dragon, Inchworm, Narwhal, Meerkat, Lynx, Unicorn and Xerus.
 
Each beast has its own handsome black and white illustration, showing it perched on the appropriate letter of the alphabet, accompanied by an amusing quirky poem.

The final verse of the Vole poem is a good example of the fun Palmer has with words.

Voles are very well-evolved,
for when push comes to shove,
Vole is (need we spell it out?)
an anagram of love.’  

The fun is inventive: ‘Wombats dig Australia,’ Elephants ‘blow their own trumpets’ and a Yeti has ‘cool hair.’

The book is handsomely designed with the large letters subtly blending into their background colour.  The text is perhaps a mite too small for grandparents to read but the kind of youngsters who delight in knowing that a family of sea otters is called a ‘raft’ or a ‘romp,’ will relish the fun.

Trevor Agnew

This review was first published in Your Weekend (Fairfax) on 31 Jan 2015 

Full publishing details:
A Little ABC Book  Jenny Palmer (2014) Beat Books [Beatnik Publishing, Auckland], 28pp, hardback $25
ISBN 978 0 9922648 0 2

 

Friday, 26 June 2015

Old Blue: the Rarest Bird in the World

Old Blue: the Rarest Bird in the World (1993, revised edition. 2014) Mary Taylor, Scholastic NZ, 32 pages, paperback, $19.50
ISBN 978 1 77543 237 1

The black robin had become the rarest bird in the world. Only a miracle could save it from extinction.”

Old Blue was first published in 1993. Now a beautifully-presented redesigned and updated edition allows a new generation to appreciate this award-winning picture book and its unlikely hero and heroine. The hero is Don Merton of the NZ Wildlife Service (supported, as Stewart makes clear, by colleagues and Chatham Islanders) who led the effort to save the black robin. At their lowest ebb only five black robins survive but one of them is the indomitable Old Blue.
 
With detailed text and sumptuous illustrations, Stewart shows the marvellous success story of how these tiny birds were preserved from extinction by transferring the birds to Mangere Island and carrying out a complex swapping of eggs to foster-nests.  This inspiring true story concludes with a timely reminder of the threat of extinction facing many other New Zealand species.

Trevor Agnew

This review was first published on 14th March 2015 in Your Weekend magazine.

Collage of history: cocksfoot and kerosene


The Story of a New Zealand Truck Driver (2014) Mary Kelleher, Handmade Histories, fold-out mural, NZ$40

This picture book is an amazing and original achievement. Mary Kelleher has used embroidery and collage to create a fold-out mural, depicting Bert Williams, whose regular truck service around the bays of Banks Peninsula earned him the nickname of ‘Night and Day’ Williams. As well as hauling bales of wool to the Pigeon Bay wharf, Bert also carried fruit, bags of cocksfoot seed, manure, drums of petrol and tins of kerosene.

On one side of the mural is a neatly embroidered (and perfectly readable) verse account of Bert’s exploits:
Day and Night Williams, you’re shifting honey bees?’
I truck anything; bees or rope or cheese.’

The embroidery and patchwork pictures also carry an array of dinky trucks, meccano, tools and vintage illustrations, with a line of buttons showing Bert’s route. I have seen the original collages and the photographic versions in the book do them full justice.

The other side of the mural is a more formal but equally lively historical background, with photos and reminiscences of a truck driver’s life between the wars. On an accompanying CD, David Parker sings and reads the text.

Trevor Agnew
 
This review first appeared in Your Weekend magazine on 7th March 2015

Full publishing details:
The Story of a New Zealand Truck Driver (2014) Mary Kelleher, Handmade Histories, fold-out mural, NZ$40
ISBN 978 0 473 28703 0

[Handmade Histories: 3 Sailrock Drive, Mangawhai Heads 0505, Northland, NZ
Website: Handmadehistories.com
E-mail: mary@handmadedesigns.co.nz]

Feline-flavoured Book: I am Doodle Cat


 I am Doodle Cat
  Kat Patrick, ill. Lauren Marriott, Beatnik Books, 32pages, hardback, NZ$29 
 
I am Doodle Cat. I only know what I love,” is the arresting opening of this feline-flavoured book. Doodle’s list of things he loves is sometimes predictable – “I love friends” – occasionally unexpected – “I love maths” – and sometimes highly amusing to young readers of a certain age – “I love farts.”
The sheer unpredictability of Doodle’s choices makes this a book that will encourage readers to do some thinking. His claim to love the ocean, for example, may lead to scepticism. The maths-loving claim is justified by his carefully counted treasure trove, which includes three dead birds and four dead lizards. Doodle is no sentimentalist.
Doodle, who is artfully portrayed in Lauren Marriott’s skilful illustrations, saves his final question for the reader, “Who do you love?” Nor does the book end there. Kat Patrick has used the end-papers to explain the reasons for some of Doodle’s choices. Thus we are told what is important about trees, fractals, stars and – yes - even farts.
 Trevor Agnew
 I am Doodle Cat  Kat Patrick, ill. Lauren Marriott (2014) Beat Books [Beatnik Publishing, Auckland], 32pp, hb, NZ$25
ISBN 978 0 9922648 2 6
 
Note: This review was first published on 24 Jan 2015 in Your Weekend magazine.


 

 

Two for one: Firefly and Rabbit


Follow the Firefly/Run Rabbit Run!   Bernardo Carvalho (2014) Book Island, 32 pages, paperback, NZ$19.99. 
ISBN 978 0 9941098 2 8 
  
Two picture books for the price of one!  Bernardo Carvalho, a Brazilian writer-artist, gives his readers a double story, using child-like colour illustrations and almost no words. “Excuse me, have you seen a flashing light?” asks a tiny, diffident firefly, and we follow him as he flickers his perilous way through swamps and jungles. It’s a game of Find the Firefly where helpful animals provide the amorous insect with directions to the city that shelters the object of his desire.
 
Having reached the (amusing) ending of the firefly saga, we find a new story beginning on the back page and scampering to the front.  Follow the rabbit!” is the cry, as a lively pile-up in a city traffic jam lets a rabbit spring from his cage. Now each picture takes on a completely different aspect. We seek the rabbit in familiar city streets, swamps and jungles but details previously ignored – like a pursuing dog– become important. The conclusion will warm young hearts.
 
Trevor Agnew
 
Full publishing details:
Follow the Firefly/Run Rabbit Run!   Bernardo Carvalho (2014) Book Island, 32 pp, pb, $19.99. 
ISBN 978 0 9941098 2 8 
 
Publisher's address: Book Island, Greet Pauwelijn publisher, 49 Poplar Ave, Raumati South 5032, New Zealand  
Websitewww.bookisland.co.nz     
Note: This review first appeared in Your Weekend magazine on 13 Dec 2014

An existentialist bird: I am Henry Finch


I am Henry Finch (2014) Alexis Deacon, ill. Viviane Schwarz, Walker Books, 40pages,
hardback, NZ$24.95
ISBN 978 1 4063 5713 4
 

This is just what the world has been waiting for – a picture book about an existentialist bird.  The eponymous Henry Finch – charmingly illustrated by Viviane Schwartz as a thumb print with wings, beak and attitude – first appears as a mere chattering finch in a flock of chattering finches.  “They made such a racket all day long, you really could not hear yourself think.” Everything changes on the quiet night when Henry has a thought and hears it. “I am Henry Finch, he thought. I think.”  

 The first finch ever to have a thought, Henry could have been great but unfortunately he is immediately eaten by The Beast, a sharp-toothed finch-eater. Fortunately Henry’s story doesn’t end there.  In the quietness of The Beast’s belly, Henry can hear The Beast’s thoughts as well as his own.  Using his newly discovered power of thought, he is able to achieve his own escape and The Beast’s reformation.  Free once more, Henry converts the entire Finch nation to the inspirations and aspirations that come with thinking. Alexis Deacon has written a joyous little fable of metacognition – thinking about thinking. It’s funny too.

 Trevor Agnew
 
Note: This review first appeared in Your Weekend magazine on 17th January 2015

Monday, 9 March 2015

We Wish You a Kiwi Christmas: book review


We Wish You a Kiwi Christmas

Book review by Trevor Agnew  

We Wish You a Kiwi Christmas (2014) Lynette Evans, ill. Myles Lawford, Scholastic, Auckland NZ, 32 pages, paperback  ISBN 978 1 77543 267 8 


Little Kiwi she searched for signs of a sleigh.’

This picture book is an updated version of the traditional Christmas carol, We Wish You a Merry Christmas, stripped of religious references and figgy pudding. Instead it becomes a tale of Santa Claus’s delivery problems. Abandoned by his overworked reindeer, Santa has to rely on Little Kiwi who summons up a volunteer team of native New Zealand birds to draw his sleigh.

Brave Bellbird come along and shy Kokako,
You can all work together and see how you go.’

Both English and Maori versions of Lynette Evans’ text are provided.

The Maori lyrics – He Mihi Kirihimete Kiwi - were translated by Ngaere Roberts.

An accompanying CD has both the English and Maori versions of the song, using the talents of Pio Terei, Maria Burns and singers from the Marina View School, West Harbour, Auckland.

Myles Lawford’s colour illustrations capture the differing characters of the various native birds which help Santa.

 

Trevor Agnew 


10 Oct 2014  

The Farmer in the Dell: book review


The Farmer in the Dell 

Book review by Trevor Agnew


 

The Farmer in the Dell (2014) Trad, ill. Jenny Cooper, Scholastic, Auckland NZ, 32 pages, paperback  ISBN  978 1 77543 195 4


 
Following the success of the same team’s versions of There’s a Hole in My Bucket (2011)and She’ll Be Coming Round the Mountain (2013), they have now produced a lively presentation of The Farmer in the Dell.

The lyrics of the song are neatly matched by Jenny Cooper’s illustrations. The farmer – a distinctively antipodean type – joins hands with his wife, who is dancing in the traditional gumboots. As the song progresses they are joined by child, nurse, cow, dog, cat, mouse and cheese. Meanwhile the singer – a doleful looking bloodhound – sings, plays banjo and provides the dance instructions. “Do-si-do and take a bow!”

A simple musical score is also included. 

An accompanying CD has a cheerful performance of the song, using the musical talents of the Topp Twins, Linda and Jools. They perform the song twice in lively country style.
The second version is timed to allow dancers to perform the dance and comes complete with caller’s instructions.

 

Trevor Agnew 


10 Oct 2014  

Square Eyes: book review

Square Eyes

Book review by Trevor Agnew


Square Eyes (2014) Craig Smith (NZ), ill. Scott Tulloch, Scholastic, 32pages, paperback  ISBN 978 1 77543 269 2  


 
He gets no exercise because he’s got square eyes.’

The text of this picture book is an original song by Craig Smith, the New Zealand performer and lyric writer, famous for his performance of The Wonky Donkey (2009).  This time his subject is the need to stop watching so much television. The suggestion is that there are other things to do:

Listen to some music, dance your way to fame,
read a book, invent a new game.’

Various animals are shown exercising, swimming, reading, and even doing their chores.

Scott Tulloch’s watercolour illustrations are witty accompaniments to the song. He has shrewdly chosen a diverse group of animals to illustrate the various activities, many of them with large (square) eyes like the owl and lemur. At the centre of most pictures is a marvellous TV-addicted panda who has dark square markings around his eyes. Sharp-eyed readers will also spot a bumblebee which takes up music in the style of Bob Marley.

A CD of the song, performed by Craig Smith (with a strong Caribbean flavour) is included

 

Trevor Agnew 

10 Oct 2014  


 

Go Home Flash: book review


Go Home Flash  
Book review by Trevor Agnew

Go Home Flash (2014) Ruth Paul (text & ill) Scholastic, Auckland NZ, 32 pages, paperback  ISBN 978 1 77543 245 6 


 
This large format picture book, Go Home Flash, is a sequel to the author-illustrator’s Bad Dog Flash (2013).  Once again the story is told in brief, simple verses, as the thoughts of the young pup, Flash. Here for example, Flash is left at home alone in the garden. Flash is not happy.

Sit.

Wait.

Hate gate.

Jump gate!

At this point there is a chorus which is repeated throughout the story. Somebody always calls out, “Go home, Flash.”

Flash is seen in all the familiar activities of a keen pup: begging for a walk, digging holes in the lawn, joining in children’s ball games, tipping rubbish tins, popping into classrooms and stowing away in cars. Always the response is the same.

Go home, Flash.”

The conclusion of the story has a delightful twist which young readers will enjoy.

This is a great story for reading aloud.

Ruth Paul’s charming watercolour illustrations make Flash an endearing puppy even at his naughtiest

 

Trevor Agnew 

10 Oct 2014  

 

Teddy One Eye: book review

Teddy One Eye

Book review by Trevor Agnew


Teddy One-Eye (2014) Gavin Bishop (text & ill) Random House, Auckland NZ,  218 pages, hardback, ISBN 978 1 77553 727 4



Teddy One-Eye is in many ways a sequel to Gavin Bishop’s entertaining memoir of his 1950s childhood, Piano Rock (2008).  This time, however, there is a different perspective and a different narrator.  Teddy One-Eye tells his own story of his life with Boy, beginning in 1950 when “He lifted me out of the box and hugged me.” What follows is an ursine view of a young boy’s life, first in Invercargill and then in Kingston on the southern shore of Lake Wakatipu.   Teddy (or more properly Edward K. Bear) is an acute observer. His eyes, made of “shiny brown glass with flecks of gold,” see everything and his other senses are equally acute. “My perky ears sat straight up on top of my head and listened to everything being said even if it was being whispered behind a closed door.” What follows is a unique vision of childhood, where a tricycle trip to the aviary in the Botanic Gardens is an adventure and a bulldog is a ravening monster.

Life is tough for a teddy bear, especially one who faces the double jeopardy of the bear-napping dog from the pub, and the newly arrived baby brother (BB). Small wonder that Chapter 5 is movingly entitled ‘The First Patches.’ The story of how Teddy lost his eye is a delightful surprise. “Once again Boy blushed brighter than the electric coal fire.”

It slowly emerges that Teddy has a history that goes back before 1950, and it is Boy’s daughter who makes the poignant discovery. Like many other teddies, our narrator is passed down the generations and even spends several years wearing a dress. Then there are ‘the wardrobe years’ where he was ‘out of sight, forgotten, asleep, hibernating.’ Amusing time-lines cover these years, pointing out key events, mostly bear-related. Luckily Teddy had learned to read when Boy’s grandmother was reading to them from Alice B. Emerson’s Ruth Fielding and the Gypsies, so he was able to spot occasional headlines: ‘1969: Neil Armstrong took a teddy bear to the moon.’

It has to be conceded that Teddy One-Eye is a better storyteller than Gavin Bishop, providing more humour and excitement. Some may argue that some of the bear’s tales, such as the accidental kidnapping of Boy’s grandmother may have been exaggerated. Fortunately human narrative rules don’t apply to bears.  (Besides Teddy points out Gavin Bishop’s own errors several times. “He was getting it all wrong. His memory was letting him down.”)

Luckily Gavin Bishop’s artistic skills remain unimpaired, so the colour illustrations showing the changing appearance of Teddy form charming chapter headings.

This is a joyous and subtle story, both funny and moving.

 

Trevor Agnew 

16 Sep 2014