Showing posts with label Kimberly Andrews. Show all posts
Showing posts with label Kimberly Andrews. Show all posts

Wednesday, 30 September 2026

The Big Book of Kiwi Nursery Rhymes

 

The Big Book of Kiwi Nursery Rhymes 

Kimberly Andrews

 

The Big Book of Kiwi Nursery Rhymes
Kimberly Andrews (text and illustrations)
Walker Books (2026)
64 pages, Hardback
ISBN 978 1 761600 91 3

 

‘Round and round the garden flies karearea

One swoop, two swoop, gracefully through the air.’

 Research suggests that the more nursery rhymes children are familiar with, the greater their chances of later doing well at school. Of course, this may simply reflect the value of having parents and grandparents interested enough to share nursery rhymes with infants. Either way, nursery rhymes are here to stay. Also here to stay is Kimberly Andrews, an award-winning author and artist; a Canadian Kiwi who arrived here by way of Borneo and Britain, and has showered us with lovely books.

 For The Big Book of Kiwi Nursery Rhymes, Kimberly Andrews has taken 42 familiar (or sometimes less familiar) nursery rhymes and matched them up with a total of 55 appropriate New Zealand creatures. Thus, in the example above, the role of the grizzly bear has been taken by the karearea, the New Zealand falcon. The accompanying colour illustration shows the elegantly-feathered karearea sweeping down to rest on a fence post. One of his swoops has circled a flax bush, so the highly appropriate harakeke replaces the mulberry bush:

‘Here we go ‘round the harakeke, the harakeke, the harakeke.
Here we go ‘round the harakeke, on a cold and frosty morning.’

 Don’t worry if you can’t recall the more arcane rhymes like ‘The Snail and the Mouse’ or parlour songs such as ‘Daisy Bell’, because the original titles are printed along with the new versions. Professor Google can even provide the tunes. ‘Tiny Sapling’, for example, is sung to the tune of ‘Frere Jacques.’

 Originally a biologist, Kimberly Andrews has used her broad knowledge of local wildlife to match each native species with an appropriate nursery rhyme. “Hearing the rhythm aloud helped me try out different species’ names within the poem,” she explains. “Then I would work up the rest of the rhyme to fit the species that I have chosen.”

 

It is the rhythms and rhymes which have made our nursery rhymes so memorable. Some of the new versions work well. ‘Two little Dicky Birds’ transfers to fantails quite smoothly:

Pīwakawaka chicks sitting on a stick.
One named Flutter, one named Flick.

 Equally successful is the matching of the royal albatross with ‘My Bonnie’:

‘Toroa flies over the ocean, Toroa flies over the sea.
Toroa flies over the ocean, gliding wild and free.’

 Sometimes, the words look a little daunting, as when the traditional ‘Old Woman Who Lived in a Shoe’ passes on her domicile to a local:

‘A big wētā punga lived in a shoe.
She had lots of eggs and she knew what to do.
Out on the ground, where no feet would tread,
she laid all her eggs and went back to bed.’

 Notice how lots of biological information gets passed on in these revised rhymes. Several of the rarer flora and fauna get their moment in the spotlight. My favourite is that living fossil, Ngāokeoke, the peripatus or velvet worm, which achieves a perfect match with ‘Jack and Jill’.

‘Ngāokeoke climbed up a log to fetch a tasty dinner.
Hunting time, two jets of slime, and crawled away the winner.’

 That warm-blooded, cuddly mammal, the pekapeka (or lesser short-tailed bat) gets credit for fertilising the flowers of the pua o Te Rēinga (or wood rose). There may be a bit too much biology here but it brings poetic immortality to an overlooked creature. Borrowing the style of ‘Humpty Dumpty’ the pekapeka flew to the ground:

‘… snuffled and found pua o Te Rēinga, flowering low,
in went its face to help new wood rose grow.’
 

Will poems like these get mums and dads chatting to their toddlers about endangered wildlife and plants? It’s definitely worth a try. Certainly, the final poem in the collection is a touching and poignant reminder of the tragic fate of the huia.

‘Oh where, oh where have the huia gone?
Oh where, oh where can they be?
With her glossy black wings and beautiful song.
oh where, oh where is she?’

 Kimberly Andrews is even more skilful with pictures than she is with words. The book designer is Sarah Mitchell. To say they have created a beautiful book is a sad understatement. Each turn of the page reveals another marvellous portrait, ranging from the splendid ruru spreading its wings in the moonlight to the bee-laden pink manuka flowers.

 Other great features are that it is a comfortable size, solidly bound and printed in a typeface (IM Fell Great Primer) of a size that can be easily read by weary parents and grandparents.

  The Big Book of Kiwi Nursery Rhymes looks set to become a classic of the future.

 Trevor Agnew
14 Sep 2026  [Review 3864.]. 

Monday, 23 March 2026

 

Kua Kainamu te Kirihimete: Christmas Countdown
Norah Wilson, ill. Kimberly Andrews

           

Kua Kainamu te Kirihimete:                    
Christmas Countdown
Norah Wilson, ill. Kimberly Andrews
E Oma Rāpeti series No. 8,
Scholastic (2025)
Picture book, paperback, 32 pages
ISBN 978 1 77543 921 9

                       

The fact that this is the eighth volume in the ever-popular bi-lingual series, E Oma Rāpeti [Run Rabbit] shows what a success this series has been.  Aimed at preschoolers and junior classes, each book follows the learning adventures of little Rāpeti and his mother. Little Rāpeti’s friends - including a pukeko, a tui, a kauri snail, a lamb and a chicken – also add to the simple fun.

The sweet thing about young Rāpeti is that his interests and enthusiasms are exactly those of young children everywhere. In Kua Kainamu te Kirihimete: Christmas Countdown (2025) he’s busily counting the days (or rather nights) to Christmas. Of course, he’s impatient and pesters his mother.

‘Māmā, e whia ngā moe ka Kirihimete?  Mummy, how many sleeps until Christmas?’

Fortunately the answer is rima [five], so that Rāpeti’s mother is spared too much repetition in the days ahead. Meanwhile, Rāpeti and friends are busy with different activities each day. As the countdown proceeds, they make Christmas tree decorations.

‘Tapahia. Kaurukuhia. Cut it. Colour it,’ they chant as they work the scissors, pens and glue.

Biscuits are baked, decorations are hung, cards are written and Christmas songs are practised as the sleeps count down. There is an extra surprise waiting for young Rāpeti when Christmas finally arrives. The result is a perfect family Christmas.

 Kimberly Andrews’ colour illustrations are a delight, creating a convincing world where animals live in houses and go to school. Her animals are always expressive; she can even make a hen look happy. The warmth of the emotions in the story is reflected in the characters and colours of these charming pictures.

 Trevor Agnew 

29 Sep 2025 [Review 3802]  

Sunday, 27 October 2019

Puffin the Architect

A belated acknowledgement of a future classic:


Puffin the Architect (2018)

 Kimberly Andrews

Puffin, pb, 32pp

ISBN   978 0 14 377218 7



This award-winning picture book, Puffin the Architect, uses a family of puffins to show the role architects may play in creating a home that is good to live in. The story – told in verse – begins as Puffin introduces herself as a designer of a range of homes ‘from cottages and bungalows to mountain huts and domes.’

Now she has the tricky task of designing a home for herself and her two pufflings.

‘My toughest clients ever!’

She shows her offspring some of the homes she has designed. Her clients include a platypus, a bloodhound, a moose and a giraffe. The goose, a painter, has a studio with folding furniture and a tunnel for drying art work. Pig has a mobile tool-shed on wheels with a pulley-operated bed. The otter family home has a boat with ‘lots of clever cupboards full of fish hooks and life jackets.

Puffin’s problem is that her offspring don’t like the other animals’ homes. Every example, no matter how original, is rejected.  The young pufflings explain that they are not hounds or pigs or moose.

‘Can’t you make a puffin cottage?’ they ask.

As it turns out, Puffin can. Listing everything puffins need – such as a pulley-operated fish-drying rack – she quickly designs the perfect puffin home. The concluding page shows the Puffin family in residence, with all their animal friends enjoying a dinner party in Puffin Cottage.

The text reads well, with simple rhymes and a good rhythm, while the comments from the pufflings appear in speech balloons.

The pictures are amazing. Each building has its own double page spread showing a cross-section, with the occupants enjoying their home’s special features. Each picture has inset a project design sketch (by Puffin Design) showing a plan of the home or a diagram of a feature.

Even the endpapers are full of amusing details about the (fantasy) home life of puffins.

This is a book where the pictures and text both reward careful scrutiny of the details



Trevor Agnew