AGNEW READING
Agnew Reading: This site shares an enthusiasm for books. Special interests include New Zealand books and books for children and teenagers.
Sunday, 9 August 2026
Royalslinger
Wednesday, 5 August 2026
Song of the Saltings Rachael King
Song of the Saltings
Rachael King
Allen & Unwin
Novel
336 pages, Paperback
ISBN 978 1 99100 665 3
The landscape bounded by cliffs and salt marshes dominates
their lives, as the Prologue makes brutally clear:
‘Out, beyond the village, the moors are wide open
spaces where the wind howls at you all year long and the ground wants to suck
at your boots with every step. Where makeshift stone huts shelter lonely
shepherds, where barrows house the bones of the ancient dead, and the lights
from the bog lure weary night-time travellers to their death.’
As a result, Lotta is regarded with a mixture of awe and
suspicion, especially as recent storms have led to poor harvests. Some think
she may be to blame.
Ironically, Lotta now works as a groom caring for the
horses belonging to the Judge. The Judge heads the Council which oversees both the
legal and spiritual lives of the islanders, operating in a cult-like manner. At
weekly services the villagers are urged in sermons by the Judge to tithe their food
and goods to the Council. Sinister masked
riders enforce the Council’s rule and punish miscreants.
‘She can feel it through her feet; she can hear its
song in her dreams.’
The horse, named Hannah,
belongs to Moss, a member of the reviled outcast group known as the Hidelings. Shunned
because, in the past, they hid their children to avoid them being sacrificed to
the Glimm. Now, Hidelings live out on the moors, gathering peat to sell for a
living.
The relationship between Moss and Lotta gets off to a bumpy start partly because of her mixed feelings about Hidelings and partly because of Moss’s strong sense of the injustices laid upon his people. They have to depend on each other when it seems there is a vindictive plan to make Hannah this year’s sacrifice.
Together,
Lotta and Moss have to venture into the forbidden northern reaches of the
island where they make a series of deeply disturbing discoveries. But will they
be able to use their knowledge to change the island’s way of life? Or will the forces
ranged against them prove too powerful? Especially now that the Council is planning
to re-introduce child sacrifice.
Rachael King has written a richly atmospheric
supernatural thriller with special appeal for young adults. The characters are
believable and the setting is fully realised. The supernatural theme is well
handled and the action keeps the pages turning.
Reviewers are comparing this novel to works by Susan
Cooper (The Dark is Rising) and Alan Garner (The Owl Service). My
preference would be for Margaret Mahy, except that Rachael King is rapidly
putting herself in a class of her own..
Trevor Agnew
4 Aug 2026 [Review
3859.]
Friday, 31 July 2026
Cass and the Beast
Claire Mabey
Jill Calder
Cass and the Beast
Claire Mabey (2026)
Ill. Jill Calder
Picture book, 32 pages
Hardback
ISBN 979 8 348037 7
‘The Townsfolk had given it a name: Beast.’
This handsome picture book has a dramatic opening scene,
with alarmed people looking at huge paw-prints at the edge of the forest. They
are frightened of the beast and see it as a danger. Young Cass ‘who was hardly
ever scared’ thinks differently.
In telling the story of Cass’s encounter with the beast, Claire
Mabey uses words with power and confidence. ‘The beast ran like thunder. It devoured
the ground.’
Unlike many story characters in this situation, Cass takes
the initiative. She goes out into the forest offering food to the beast, ‘with
nothing but her thin winter coat and a scrap of bread.’
The creature’s response is abrupt: ‘Mouth, teeth and
tongue roared foul and fierce.’
Undaunted, Cass continues her offer of food and the beast
takes it ‘with precise lips.’
Then, taking the collar of Cass’s coat into its mouth, the
beast hoists her onto its back.
‘Run,” says
Cass, burrowing her hands into thick, warm fur, ‘made of all the light and all
the dark of the world together.’ What follows is a fantastic journey through
night and day. (We also discover the beast’s food of choice which may alarm the
squeamish.) Cass makes a dramatic return to the town, capturing the attention of
the townsfolk, as she farewells the beast, kissing its snout without fear of its
teeth.
The stage is set for the charming revelation in the final
pages of the book.
Jill Calder’s beautiful illustrations form a crucial part
of this story. Her dramatic pictures embody the spirit of the tale on every page.
When Cass muses that ‘it was people who frightened her,
not beasts,’ the accompanying double-page illustration shows a mass of faces;
all people talking about the danger that they feel is posed by the beast. Each
face is a portrait of fright, anger and anxiety. Eyes show fear. Mouths are passing on their alarm.
The clamorous scene has only one face that is at ease, almost smiling, and it is
Cass’s dog. This is picture book illustration at its highest level.
Jill Calder gives visual hints of the beast throughout
the story. The readers can see massive teeth and thick fur but the creature’s
true identity is not revealed until the wonderful final pages. (No spoilers
here.)
Cass and the Beast is a beautifully presented and original
interaction of Claire Mabey’s story and Jill Calder’s pictures, creating a modern
fable. The designer is Vida Kelly
Trevor Agnew
12 July 2026
[Review 3849]
NOTE: In July 2026 Claire Mabey was awarded the 2026 Lynley Dodd Children's Writers Award of $30,000 for her contributions to children's literature in Aotearoa New Zealand.
A Flame in the Dark Maria Gill
A Flame in the Dark (2026)
Maria Gill
One Tree House 440 pages
Paperback
978-1-990-03549-4
‘Watch out world,’ she whispered, ‘Here I come.’
‘The Gestapo have put a price on the head of the woman
helping refugees escape.’
’Me?’
‘They don’t know who you are. They call you the ‘White
Mouse’ … because you’ve been hard to catch.
Note: This review originally appeared in the July 2026
issue of Magpies magazine.
Sunday, 26 July 2026
Keith Goes Glam Elaine Bickell
Keith Goes Glam
Elaine Bickell
Ill. Minky Stapleton
Scholastic (2026)
Picture book
24 pages, Paperback
ISBN 978 1 77543 976 9
Keith Goes Glam is a companion volume to Keith and
the Kitten (2025). Keith is a self-centred chihuahua, whose life is made
miserable when his owner, known as Mama, acquires a feline named Queenie. Mama assumes
the pair will get on like a brother and sister – which shows that she knows
nothing about sibling rivalry. Keith and Queenie fight like cats and dogs. Keith
Goes Glam sees the conflict spread into the world of canine fashion!
‘Their Mama loved dressing her little Keith up.
Queenie cat teased, “What a widdle pup.”’
‘Mama’s big weakness was sparkly clothes,
glittery booties and collars and bows.’
‘Down at the shops, he was patted and poked.
“Awww, he’s adorable,” everyone joked.’
Into the bag goes Queenie and, too late, Keith realises
his mistake.
‘”Uh-oh,” said Keith. He’d not thought of that.’
Young readers will have spotted the drawback in Keith’s cunning scheme long before Keith did and will enjoy the final pages even more. A thoroughly unhappy ending is had by all.
Trevor Agnew
23 July 2026
[Review 3854.]
Out in the Bay Ned Barraud
Out in the Bay
Ned Barraud (text & ill)
Scholastic (2026)
Picture book
24 pages, Paperback
ISBN 978 1 77543 977 6
There in the bay, beneath waters jade green,
dwell creatures of mystery, shy and unseen.
A seahorse? A crab? Grey dolphins at play?
A whole hidden world lies out in the bay.’
Look closer and we see that the yacht is being used as a
roost by terns, its mooring rope is festooned with mussels. The jetty piles are
home to starfish and still more mussels. Schools of small fish dart through the
seaweed below. There is life everywhere in his pictures: tiny humans in their sailboats,
a stingray gliding in the shallows, a crab scuttling for cover and the
multitude of wading birds which gather on the shore to dine:
‘Oystercatchers, herons and stilts
Probe for a feed through the mud and the silt.’
The illustration of the accumulated flotsam washed up on
a rocky shore– ‘treasures to spot if you have a keen eye’ - includes shells, feathers, driftwood, kina shells
and even a half-built hut. It should inspire a generation of young readers to
go beachcombing
There is a page devoted to the guano production of a
colony of spotted shags, which is certain to fascinate young readers.
‘Their crang-a-dang nests cling to the cliff,
but yuk! What a stink! What a foul-smelling whiff!’
Barraud has a sharp eye for the distinctive features of
the creatures he depicts, such as the shags holding their wings out to dry. My
favourite illustration shows fur seals – not the sleek, diving ones – but the lumpy,
lolling ones, lying on the rocks, enjoying the sunshine, and waving the
occasional flipper.
His time spent working in the film industry with Weta
Workshops is reflected in Ned Barraud‘s dramatic landscapes and seascapes. The most awe-inspiring creation is the school of
luminous jellyfish in a purple, midnight sea. The author’s words are a perfect
accompaniment to his picture:
‘Out in the bay, drifting with grace,
jellyfish float like stars in deep space.,
glowing like lanterns, soft and slow.
they’re carried by currents that ebb and flow.’
The dramatic closing pages show Nelson’s Boulder Bank
lighthouse standing firm against the black clouds of a rising thunderstorm,
while dolphins plunge through the breakers:
‘But, surfing the white caps with joy and with glee,
grey dolphins are dancing, wild and free.’
Out in the Bay is a book to enjoy reading. And, doubly,
to enjoy looking at.
Trevor Agnew
20 July 2026
[Review 3853.]
Saturday, 25 July 2026
Tania Roxborogh
Bastion Point:
507 Days on Takaparawha,
Auckland 1977-78
Tania Roxborogh
Bastion Point:
507 Days on Takaparawha,
Auckland 1977-78
Tania Roxborogh
My New Zealand series
Scholastic (2017)
Historical novel
206 pages, paperback
Historical notes, booklist, photographs
ISBN 978 1 77543 479 5
‘Dad, this is so stupid. We are nobody and nobody
cares what we think.’
This novel, the latest in the respected My New Zealand Story series,
is told as the diary of a 12-year-old Māori girl, Erica Tito, who unexpectedly
finds her plans for a relaxing summer holiday of training her pony completely
upset. Today the Bastion Point protest is seen as a turning-point in New
Zealand’s history but Erica, at first, has no idea of what is involved. The
reader learns along with her as she writes about each day’s developments in her
diary.
Told to pack for a ‘short holiday down south,’ Erica finds
herself part of a large group camped on an Auckland headland. On the first
morning, Erica doesn’t even know where she is.
‘But, Dad… Where are we? Are we in Auckland?’
‘Yes, and this place here, my people call Takaparawha but on the maps it’s
Bastion Point.’
Erica’s father has brought his family to join a protest against the selling-off
of Bastion Point, an area of land the Ngati Whatua people claimed had been
illegally taken from them. The protestors – who preferred not to be called
occupiers – set up an encampment and, amid increasing national controversy,
remained there for 507 days. Tania Roxborogh has done her research well and
provided the tiny details that make her story so convincingly genuine. For
example a garden hose was the only supply of drinking water in the early days.
Another striking aspect is that, throughout the protest, the young people
involved attended the local schools. Erica is thus faced with all the problems
of being a new student in a strange city but also of being perceived as a
disruptive element. All the issues of the complex and controversial national
dispute are mirrored in the tensions Erica encounters at school. Thus, when the
truckloads of police suddenly arrive, at Bastion Point, the reader is fully
aware of what is at stake.
A clever framing device helps put the diary into its historical context and
also gives a hint of Erica’s future. This is a simply-told but powerful
historical novel, a reminder that governments can be obtuse and autocratic and
that sometimes people have to take a stand.
As usual in this highly-regarded series, there is a Timeline, Historical Note,
Glossary, Bibliography and a set of contemporary photographs.
Trevor Agnew, 7 January 2017
[Review 2998]
Helpful notes and questions, discussion topics and activities, are in the Teacher Notes on the Scholastic NZ website: mnzs-bastion-point.pdf
Review for Magpies
magazine, April 2017 issue
By Trevor Agnew
Bastion Point: 507 Days on Takaparawha,
Auckland 1978-79
Tania
Roxborogh
Scholastic (2017) (My New Zealand Story series)
206 pages, pb,
NZ$18
978 1 77543 479 5
“What is this place?” I asked.
“This is where I was born,” he said…”It’s gone now.
All the homes were destroyed when I was a kid.”
The fortieth
anniversary of the confrontation over Bastion Point is a sobering reminder of
just how far race relations and Maori land issues have come since the 1970s.
Those who lived through that period have vivid memories of the conflict and the
attitudes, but how can children growing up today understand the way things were
back then?
The answer is to
be found in Tania Roxborogh’s excellent novel, Bastion Point: 507 Days on Takaparawha, the latest in Scholastic’s
superb My New Zealand Story series. Roxborogh has created a young girl, Erica
Tito, who lives in a rural area north of Auckland and has no knowledge of her
father’s childhood or of Ngati Whatua’s land confiscation protests. All Erica
is interested in is training her pony Silver. We know this because Erica’s
diary entries for 1977 and 1978 form the narrative.
The reader learns along with Erica as her life suddenly changes forever. Told to pack for a “short holiday down south,” Erica finds herself part of a large group camped on an Auckland headland. Her father has brought his family to join a sit-in protest against the selling-off of Bastion Point, an area of land the Ngati Whatua people claimed had been illegally taken from them.
The protestors –
who prefer not to be called occupiers – settle down in their encampment and,
amid increasing national controversy, remain there for 507 days.
Roxborogh’s master
stroke in this story reflects her careful research. The Bastion Point children
went to school locally. It sound simple but it creates a perfect microcosm of
New Zealand as Erica encounters various responses to the land dispute. Pining
for her pony, and labelled a troublemaker at school, Erica gradually learns more about
the history of the area. The most moving testimony comes from her father, describing
how his childhood home was bulldozed, “They
told us to get our gear and leave because they were going to remove the
houses…Then they set them all on fire. They killed my dog.”
Always, the author maintains a young girl’s viewpoint, drawing us in to Erica’s experiences and emotions. “According to Father Shirres at the church service last Sunday, we’ve been protesting on the Point longer than Noah and his family were in their Ark. That story will never be the same to me again – I think I know how they must have felt.” Finally, Erica stands with the others as the police convoy arrives.
A lovely feature of this dramatic story is the framing device, set in the present day, which enables the reader to work out what became of Erica and her dreams. This is a gripping and powerful historical novel, a reminder that governments can be obtuse and autocratic and that sometimes people have to take a stand.
As always with
this series, there is an informative Timeline, Historical Note, Glossary,
Bibliography and a set of contemporary photographs.
Trevor Agnew
30 March 2017
Author Tania Roxborogh’s rich creative life ‘rewrites the narrative’ of a troubled childhood
As told to Joanna Davis|Homed
Photos by Peter Meecham, The Press, Christchurch [Stuff]
Your weekend magazine, 25 July 2026
July 25, 2026 • 4:00am
Copy Link
Writer and educator Tania Roxborogh
at home in Lincoln, Canterbury, in front of her much loved book
collection.Photo: Peter Meecham / The Press
Told as a teenager that she’d never amount to anything,
Tania Roxborogh has gone on to be a multi-award winning author and educator,
perhaps best known for her Charlie Tangaroa series of books for young readers.
Roxborogh (60, Ngāti Porou, Ngāti Mutunga o Wharekauri,
Scottish, German, and Irish descent) lives in Lincoln, Canterbury.
TANIA: This is probably the longest I’ve been in
one house in my entire life, 10 years.
I was born in Christchurch and just before I turned four we
moved to the Bay of Plenty. But we moved around a lot: In one year I went to
seven different primary schools.
When I was 15 I left home, tried to find my father, found
him, that was a disaster. He was in a drunken rage and kicked me out.
I spent 18 months in foster care. I’m incredibly grateful
for their generosity and their kindness. They were so patient with me, even
though I would nick her cigarettes. They even got a horse for me.
As hard as I was on them, they showed me what good families
are like.
Sixteen was the beginning of my depression and anxiety. I
went to fill out one of those personality questionnaires, the psychologist and
the social worker said to me: ‘Tania, you will never amount to anything. You’ve
set yourself up to fail.’
My uncle had dropped me off. He said, Let’s prove the
bastards wrong. Let’s show them.
I have a BA in humanities, a post-graduate diploma, first
class honours in Māori knowledge and I’m working on my PhD.
Roxborogh loves the old Imperial
typewriter, and likes to see the old numberplate from the family car (a Honda
Odyssey), as it took her family on many adventures.Photo: Peter Meecham / The
Press
I started writing at high school. Bless my teachers. This is
why I became a teacher. I wanted to become for other kids what mine were to me.
I started teaching at Macleans College in Auckland, and then
moved to Westlake Girls High school to become head of drama. I found it
difficult to find plays the girls could perform in, so I wrote some.
I joined writing groups, read a lot. I don’t see myself as
especially talented. I’m a good storyteller but I’m willing to improve and make
changes when people make suggestions.
I was in Auckland nearly 20 years, then got a
writer-in-residence position in Dunedin, so we stayed in the South Island.
Roxborogh treasures these lettters
she received from celebrated poet Alistair Te Ariki Campbell after she sent him
her poems in 1986. At first he told her she needed to work much harder, and
then congratulated her, including for recognising that her future lay in prose
rather than poetry. - Photo: Peter Meecham / The Press
My husband, Phillip, is a lecturer in technology and
computing. When we moved to Dunedin, he arranged it so he could work from home.
The time he saved in commuting, he did a masters and then got a job at ARA
[Institute of Canterbury].
In 2023 I moved from my job which I loved to the Ministry of
Education. And that was important. My PhD is in helping teachers teach
Shakespeare through a te ao Māori lens - basically decolonising Shakespeare.
I’d only just started and the new Government came in and I lost my job.
They’ve undone all the good stuff that was being done. I
feel embarrassed to say but I lost my mojo. I can’t be the teacher I want to be
any more. I’m just so over the changes and the politics.
I have two daughters, Mackenna, 34; she’s a vet, and she and
her social worker husband live in Brisbane. I think they’ll come home. And my
pōtiki Brianna is 30, and she lives in Christchurch. She comes to visit and
goes on Dad dates which means he takes her to the petrol station and fills it
up with petrol.
Roxborogh says Macbeth is her
favourite Shakespeare play, and a trip to Glamis Castle in Scotland was “a trip
of a lifetime” as that is where the king was killed. Roxborogh has written a
trilogy sequel to Macbeth.Photo: Peter Meecham / The Press
I spend a lot of time avoiding doing my work. The third
draft of my latest novel has been to the editor and come back full of
annotations. So I watched 15 seasons of Call the Midwife. I’d do a
bit of work and then go and watch an episode.
I’m lucky I have good support networks who help me navigate
past trauma. I’ve been diagnosed with complex PTSD. I didn’t realise I spent my
life disassociating.
That’s how I managed my whole life, I saw it as a story
rather than as a reality of my upbringing.
But I can re-write my narrative the way I want it to be.
Your Weekend [Stuff] 25 July 2026, pages 14-15.
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