Saturday, 18 April 2026

 Board Books by Gavin Bishop



Mihi  Gavin Bishop

 

Mihi  Gavin Bishop (2020)
Gecko Press, Wellington NZ
Board book, 16 pages
ISBN 978 1 776573 02 8

 

Mihi is perfect.


This board book is simply the perfect book for a young New Zealander. Mihi is a Māori word that every New Zealand schoolchild (and a growing proportion of their elders) will understand. The mihi is steadily becoming a recognised feature of New Zealand life at public and private functions and occasions. It could be called an introduction or a greeting. It tells who you are and where you come from. It gives you your place in the world. 


You mention the canoe your ancestors came on, the landscape feature you are connected with, usually a mountain, the body of water, the marae, the iwi (tribal grouping) and the whanau (extended family).
The technical definition is: Mihi / mihimihi / pepeha: introducing yourself and making connections to other people and places.


All this sounds complicated but Gavin Bishop’s Mihi makes it breathtakingly simple. A baby could understand it. Mihi makes brilliant use of simple words and simple illustrations to help any parent to introduce any young child to their tūrangawaewae.
Tōku waka. [My canoe]
Tōku maunga. [My mountain]
The focus steadily closes through iwi and whanau to parents:
Tōku māmā. [My mother]
Tōku pāpā. [My father]
Until finally we reach the individual:
Ko Ahau tēnei. [This is me]


Gavin Bishop’s striking illustrations match the spare simplicity of his text. The sea that supports the symbolic canoe is a koru (fern, spiral), gently repeating its own shape. The illustration of the whanau is a cluster of relatives, with only the top half of a small person’s head visible. A small blue rabbit is firmly held up. When we reach the final picture we see the serious face of the small child, with the blue rabbit still near at hand.


This is the perfect book for parent and child to read together and then expand and elaborate, inserting details and naming the people.


Mihi is a taonga, a treasure.


Trevor Agnew
6 Jul 2020

 





Koro  Gavin Bishop

Pops  Gavin Bishop
 

Pops  Gavin Bishop (2021)
Gecko Press, Wellington NZ
Board book, 16 pages
ISBN 978 1 776574 00 1

 

Hi Pops!
This board book is a charming celebration of a small Māori girl’s day spent visiting her grandfather (koro). My day with Pops (Ka toro ki a Koro). The pictures, cleverly, show only part of what is happening, so the meeting of the two characters is shown by just a tiny hand clasped in a large one.


For Are you hungry? (He aha māu, e moko?) we see no more than Pops’ boot and the girl’s bare feet as they move to his garden. Only when they gather some greens (he pūhā) does the reader see their faces, with Pops a grey-haired version of his tiny granddaughter. They gather an egg (he hēki), carrots (he kāroti) and other ingredients for a sandwich meal (he kai).
Then they tell stories. (he kōrero).
Night, night, Pops! (Ā! He moe!).


The minimal text gives great scope for the young reader to develop (or have developed) their own family’s features as part of the story.


Gavin Bishop’s double-page colour illustrations are bold, simple and charming, with the figures (or parts of them) shown against large blocks of colour. Compared to his granddaughter, Pops’ face is darker and more textured (by Gavin’s trademark sprinkling of salt on damp watercolour). Every picture shows the contrast between the old man and his fresh-faced granddaughter. This little board-book will inspire not only reading but story-telling in a family.


An identical Māori language edition, Koro, was also published by Gecko in 2021.


Note: The little girl also appears, with her family, in Gavin Bishop’s board-books Mihi (2020) E Hoa (2022) and Friend (2022).

Trevor Agnew, 19 July 2021

 

  

 

 

Koro  Gavin Bishop


 Koro Gavin Bishop
Gecko Press, Wellington NZ (2021) Board book, 16 pages 
ISBN 978 1 776574 01 8


E Koro! (Hi Pops!)
This board book is a charming celebration of a small Māori girl’s day spent visiting her koro (grandfather). Ka toro ki a koro. (My day with Pops.) The pictures, cleverly, show only part of what is happening, so the meeting of the two characters is shown by just a tiny hand clasped in a large one.
For He aha māu, e moko? (Are you hungry?) we see no more than Pops’ boot and the girl’s bare feet as they move to his garden. Only when they gather some pūhā (greens) does the reader see their faces, with Koro a grey-haired version of his tiny granddaughter. They gather he hēki (an egg), some kāroti (carrots) and other ingredients for kai (in this case a sandwich meal).
Then they kōrero (tell stories).
Ā! He moe! (Night, night, Pops!).


The minimal text gives great scope for the young reader to develop (or have developed) their own family’s features as part of the story.


Gavin Bishop’s double-page colour illustrations are bold, simple and charming, with the figures (or parts of them) shown against large blocks of colour. Pops’ face is darker and more textured (by Gavin’s trademark sprinkling of salt on damp watercolour). Every picture shows the contrast between the old man and his fresh-faced granddaughter. This little boardbook will inspire not only reading but story-telling in a family.


An identical English language edition, Pops, was also published by Gecko in 2021.
Note: The little girl also appears, with her family, in Gavin Bishop’s board book Mihi (2020).

Trevor Agnew
19 July 2021

 


E Hoa : Friend  Gavin Bishop  

 

E Hoa : Friend  Gavin Bishop  Gecko, Wellington NZ (2022)
Board book, 18 pages
ISBN 978 1 77657 468 1

This board-book for young readers is part of a family which includes Mihi (2020), Koro (2021) and Pops (2021). The little Māori girl who was the central figure of Mihi, and who shared a meal with her grandfather, in Koro and Pops, now returns as narrator to introduce her best friend.


Thus the Māori language edition is entitled E Hoa.
Thus the English language edition is entitled Friend.
Gavin Bishop’s cheerful cover illustration makes it clear that the friend in question is the little girl’s faithful dog.
Taku kurī pai… Taku hoa pūmau.
[This is my good dog… She is my faithful friend]
The pictures that follow use the dog to illustrate a range of emotions and feelings.
Each picture is a spring board for discussions about how the dog is feeling and why. The dog’s attitudes and expressions are very clear messages of how she is feeling. In some pictures people’s expressions help as well. For example, when the dog is being noisy (hoihoi) we can see a deep frown on Koro’s face.

The bold, simple pictures provide clear illustrations of each of the dog’s emotions and sometimes show why she is feeling that way. A worm intruding into her food-bowl makes her angry, so she barks loudly. When the little girl rebukes her, the dog is shown lying on the ground – sorry. Tummy-tickling makes the dog happy. The chance of a walk makes her excited and ready to go. Kei te kaikaha ia.
The best picture shows the dog and girl gazing into each other’s eyes – Taku hoa Pūmau. [My faithful friend].
The board book has carefully rounded corners, just right for tiny fingers and large clear illustrations just right for eyes of all sizes and ages.

Note: This boardbook, E Hoa, is also available in an English language edition as Friend (2022).


Trevor Agnew
11 July 2022


Titiro: Look Gavin Bishop

 

Titiro: Look  Gavin Bishop  
Gecko, Wellington NZ (2024)
Board book, 32 pages
ISBN 978 1 0670207 8

 

Gavin Bishop has written and illustrated a wide 
range of board books ever since There was an Old Woman tossed up in a Basket (2008). Arguably his best board books are the small wordless Tummy Time fold-out board books Look (2023) and its Māori language companion, Titiro (2023).

Now he has combined these two into a large (22cm x 22cm) paged version, Titiro: Look. This board book is an ideal size for sharing with a child seated on one’s knee. The corners are carefully rounded so that little ones can handle it freely.

 

Best of all, Gavin Bishop has also added words in Māori and English. The translation into te reo is by Darryn Joseph. Each odd-numbered page offers a different face while the even-numbered pages display objects familiar to young people. These include Teti pea/Teddy bear, Rarā/Rattle, Mokonui/Dinosaur, Ngata/Snail and Ukurere/Ukulele.

The placement is well thought-out. For example, the face of a lady wearing spectacles is opposite Mōhiti/Glasses.

The words are well-chosen to expand vocabulary in both languages. Thus Taraka/Truck introduces nui/big, wira/wheel, pango/black and whero/red as well as porotaka/round and taraiwa/drive. An elderly man’s profile offers kiwikiwi/grey, rae/forehead, tukemata/eyebrow, ihu/nose and ngutu/lips.

 

Charmingly, several of the faces shown belong not to humans but to family pets such as Ngeru/Cat and Kurī/Dog. The pictures are simple and bold in their execution, with a wide range of skin tones on display. Several of the pictures use distinctively Māori objects so that Manu tukutuku/Kite is illustrated by a traditional Māori kite and Taonga/Treasure is a greenstone tiki. One of the word pairs offered for this carving is maimoa/cherish.

Titiro: Look is a taonga, a book to be cherished.

 

Trevor Agnew 

27 May 2025   [Review 3775]

 


There was a Crooked Man  Gavin Bishop

There was a Crooked Man
Gavin Bishop
Gecko Wellington NZ (2009)
Boardbook, 16 pages
ISBN 978 1 87746 724 0

 


This board book invests the old nursery rhyme There was a Crooked Man with all the charm of Gavin Bishop’s imaginative illustrations. In earlier versions the man was often shown as crippled or distorted, sometimes alarmingly so. In this version, however, he is an attractive character who is immensely tall and able to bend marvellously to keep in touch with the world below him. His legs and arms move in elegant arcs and arabesques. The result is engaging, especially as he gathers up the crooked cat and crooked mouse. 

Gavin Bishop has also given his Crooked Man some splendid clothes to match his unique anatomy. He wears long, bendy boots and top hat, while the swallow-tails of his cut-away coat seem to have a life of their own.
Each opening creates a vertical double page spread, revealing a picture over twice as tall as it is wide, ideal for the free play of the Crooked Man’s remarkable limbs.

Like its companion volume There was an old woman tossed up in a basket (2008) this book is good read-along fun. Its text is hand-written in a clear script that young readers will find easy to follow, while the rounded corners make the book comfortable to hold.

In 2010 There was a Crooked Man won the Russell Clark Award for Best Book Illustration.

 
Trevor Agnew, 2009



There was an Old Woman  Gavin Bishop

 

There was an Old Woman 
Gavin Bishop
Gecko Press, Wellington NZ (2008)
Board book, 24 pages
ISBN 978 1 877467 16 5



 

This board book presents the traditional nursery rhyme about spring cleaning, There was an old woman tossed up in a basket, with some of Gavin Bishop’s most appealing illustrations. This ‘flexiboard’ book with its rounded corners feels comfortable in the hand. Each opening is a vertical double page spread, revealing a picture over twice as tall as it is wide, ideal for the old woman’s journey that is seventeen times as high as the moon. 

The clear warm colours are restrained but attractive and each picture bursts with life: birds, storms, spring-cleaning maids, and clothes flapping on a line. The bold simple shapes of the old lady’s basket and cloak stand out against the open blue and purple of the sky, emphasising the distance she travels. Her basket is like a small spaceship with a green umbrella strapped to its side. The spiders are huge and green, many times the size of the old lady’s house, emphasising her great achievement in sweeping both moon and sky clear.

A Sendak-like small boy cheers her on throughout the book, so that it is clear who is asking the question, May I come with you?

The text is hand-written in a clear script that might be called joined-up writing, which proved easy for young readers to decipher.

Gavin Bishop says he was inspired by the 1844 edition, a seven-foot vertical unfolding panorama etched by Aliquis and published by D. Bogue in London.


A companion volume illustrated by Gavin Bishop is There was a Crooked Man (2009).

Trevor Agnew, 2008




Thursday, 9 April 2026

 

The Dragon at the Zoo  Melanie Koster  
Craig Phillips

 

The  Dragon at the Zoo   
Melanie Koster, ill. Craig Phillips
Scholastic (2026)
ISBN 978 1 77543 979 0 

 

 

I had the pleasure of reading Melanie Koster’s Elephant Park (2024) to a group of Christchurch pre-schoolers. They were remarkably receptive to it, not just because it is a good story but also because they had all played on the fibreglass elephant in the nearby park and saw it as their elephant. And, of course, their story.

 

 

The same happy link seems bound to boost the deserved popularity of Melanie Koster’s latest picture book, The Dragon at the Zoo. It tells the story of Cedric, a zoo dragon that children love to play on. When some zoo animals cast doubts on whether Cedric is a real dragon, his feelings are hurt and he flies away. The children miss him. Can he be persuaded to return to the zoo?

 

 

The bonus is that Auckland Zoo really does have a dragon. Made of concrete and chicken wire by Cedric Storey [note the name] in the 1950s, this fifteen-metre-long dragon has been played on by generations of children.

 

In Melanie Koster’s charming story, a small girl named Tig is an admirer of Cedric. ‘You’re a spectacular dragon,’ Tig says while she is lolling on his huge tongue.  Cedric is happy to be living in the zoo and amusing the children.

 

 

I’ve lived in a meadow, a matchbox and under the bonnet of a librarian’s car but I think the zoo is the nicest home I’ve ever found,’ Cedric declares. [The reference is to Margaret Mahy’s The Lion in the Meadow]

 

Unfortunately, several zoo creatures (including a lace monitor lizard and an eastern water dragon) declare Cedric to be a fake dragon.  You’re just a pretend dragon.’ Only Tig defends him, so Cedric decides that it is time for him to fly somewhere else. With Tig on his back shouting, ‘Yahoo!’, Cedric flies over the landmarks of Auckland and the pair vanish into the emerald hills.

 

Craig Phillips has created colour illustrations which bring Cedric to magnificent life, complete with silver scales and flowing beard. The pictures are all richly-detailed with handsome animals, plants, birds and reptiles. A striking feature of the illustrations is that as soon as Cedric leaves, all the colours fade, making the world a drab place. This matches the gloomy mood of the people and creaures left behind. ‘The children were upset, the staff were worried that they might lose their jobs …’’

 

Then the repentant dragonfly has a bright idea. She calls on all the birds to help. Craig Phillips has produced amazing scenes of a great gathering of birds, wheeling in the sky.

 

 

Can they bring Cedric (and Tig) back?  Young readers will already know the answer to Melanie Koster’s question. It’s as certain as the large concrete dragon in Auckland Zoo’s playground.

 

The design of this handsome book is by Vida Kelly.

 

 

Trevor Agnew 

10 Apr 2026 [Review 3831]

 

Thursday, 2 April 2026


The Gavin Bishop Treasury 
 Gavin Bishop 


The Gavin Bishop Treasury Gavin Bishop 
 Puffin/ Penguin Random House (2024) 
Hardback, Picture book collection, 256 pages 
ISBN 978 1 77695 738 5 


This splendid collection brings together five of Gavin Bishop’s original picture books and five of his retellings of classic tales. All of course are illustrated by Gavin Bishop. 

The ten books which make up this collection are all as colourful and dramatic as when they were originally published. They are: 
1. Mrs McGinty and the Bizarre Plant (1981) 
2. Bidibidi (1982) 
3. Mr Fox (1982) 
4. Chicken Licken (1984) 
5. A Apple Pie (1984) 
6. The Three Little Pigs (1989) 
7. Little Rabbit and the Sea (1997) 
8. Stay Awake, Bear! (2000) 
9. The Three Billy-Goats Gruff (2003) 
10. Rats! (2007) 
This collection introduces a new generation to Gavin Bishop’s inspired storytelling and pictorial genius.

Trevor Agnew 
16 October 2024 [Review 3724]

Sunday, 29 March 2026



Spider Games: 
In the City of Spies 
Brian Falkner


Spider Games: In the City of Spies 
 Bateman Books (2026) 
 Novel, Paperback, 280 pages 
 ISBN 978-1-77-689-167-2 


What happens to an ordinary Kiwi teenager who is suddenly tossed into a world of espionage, violence and murder? Nick is 15 and his autism makes him socially awkward and shy but he does his best to ‘act normal’. It is 1987 and Nick, the story’s narrator, is accompanying his Grandpa Joe on a trip to Germany in order to spread Grandma Josie’s ashes in her homeland. As they enter the Hotel Adlon, the reader will realise that Nick notices everything. He even counts the chairs and tables in the lobby. More significantly, Nick spots a man who is paying close attention to his grandfather. 

Mystery deepens as Grandpa Joe leads Nick deep into the back streets of Berlin. Nick is puzzled when Grandpa Joe keeps looking in shop windows. ‘I’ve noticed he’s not really looking through the window, but at the reflection of the footpath and road behind us. But why?’ 

 Readers of Brian Falkner’s Katipo Joe series of wartime espionage adventures will have recognised Joe as a successful spy back in the days of Nazi Germany. Nick learns of his grandfather’s war service with amazement: ‘Grandpa Joe killed his first person at the age of fourteen and his second, a Gestapo agent, at fifteen.’ Years have passed but there are plenty of people in Berlin who remember Joe. To Nick’s horror, Grandpa Joe suddenly vanishes. Has he been kidnapped? Because of his keen observation skills, Nick uncovers his grandfather’s hiding place for his tradecraft equipment. Assisted by a young local waitress, Rejhana, Nick begins to search for Joe but soon finds they are being pursued by very persistent and menacing people. An alarming chase across the icy rooftops of Berlin is only the beginning of Nick and Rejhana’s perils. 

Brian Falkner’s novel is fast-moving and full of action, with a cast of ruthless killers in hot pursuit of the two teenagers. Nick finds he has unexpected resourcefulness and Rejhana (survivor of a Serbian massacre) has hidden depths. Together they show initiative and courage in their efforts to save Joe’s life. While Spider Games is full of violent encounters, there are also some very funny moments in the story, many of them the result of Nick’s nervousness around self-assured people. When he first encounters Rejhana, Nick is calm and confident while he is correcting her quadratic equations but bungles all his attempts at normal conversation. Hoping to praise her pigtails, he says, ‘I like your piglets!’ (In a moving foreword, written in Berlin, Brian Falkner describes his own experience of autism and adds, ‘I wondered how I would react if it was my actual teenage self in one of those daring adventures? I wrote Spider Games to find out.’) 

Young readers who like this story of spying and double agents will find that each chapter heading is the wittily altered title of other tales of espionage, which they can enjoy once they have decoded titles ranging from ‘The Night of the Jackal’ to ‘The Spy who Stayed out in the Cold.’ 

 Trevor Agnew 
24 Jan 2026 [Review 3816]

Friday, 27 March 2026

 

Susan Brocker Eye of the Dragon              

 

Eye of the Dragon                  
Susan Brocker
Scholastic (2025)
Young novel.
Paperback, 120 pages
ISBN 978 1 77543 686 7
Ill. Isobel Joy Te Aho-White

 

 Thomas (13) has problems. Not only does he stutter when he’s stressed but he also faces bullying at school. Ever since a fishing accident with his father, he has had a mortal fear of the sea. His new step-father, Tim, doesn’t like him.  Sometimes it seems that Thomas’s only friends are his classmate Huhana and his dog Lucy. Walking on the beach with Lucy, Thomas investigates some strange noises and lights in a cave. What he finds is an injured dragon, which reminds him of a song his mother used to sing to him. [Hint: Google ‘Puff the Magic Dragon lyrics’]

When Thomas tells Huhana about the dragon, she decides it must be a taniwha, so Thomas (and the reader) learn about taniwha and their eating habits. Huhana helps Thomas to gather food (kumara and vegetation) for Puff, as Thomas has named the dragon. Thomas treats the dragon’s injuries, pulling out the branch which had impaled her. Then he finds Puff can communicate with him. It is the beginning of an unusual partnership.

Susan Brocker is a skilled writer, so she keeps the tensions between Thomas and the school bullies rising. There are also some lively comic moments. For example, it turns out that dragons are frightened of mice.

 Susan Brocker’s descriptions are gems. Thomas is enthralled by how soft Puff’s hide feels when he is perched on her neck. ‘Even though she had a coat of green scales, they were soft like silky peacock feathers.

 There are also some subtle hints embedded in this exciting, fast-moving story. (Young readers will soon work out their significance.) Thomas seems to lose his stutter when he is around Puff. Huhana never enters the dragon’s cave. Nobody but Thomas sees Puff.  Puff certainly acts to protect Thomas, but sharp readers will spot that only Thomas actually sees Puff. How then is it that Thomas is able to fly on Puff to spot the environmental destruction threatening his home-town? 

 When Huhana reminds Thomas about the role of taniwha as ‘Kaitiaki – protectors of the land’, it is clear that action is needed. Can Thomas conquer his fears and measure up?  The conclusion is poignant but satisfying.

The striking cover illustration of Puff is by Isobel Joy Te Aho-White. Her magnificent conception dominates the cover with its golden eye. A smaller version decorates the chapter headings.

Trevor Agnew 
12 Mar 2025     [Review 3744]

Thursday, 26 March 2026

 

 

Rākau: The Ancient Forests of Aotearoa  Ned Barraud 

 

  

Rākau: The Ancient Forests of Aotearoa     


Ned Barraud   
Te Papa Press (2025)
Picture book
Hardback, 52 pages
ISBN 978 1 99 107206 1   

 

 

Ned Barraud’s skill as an artist is matched by his ability as a writer. With the assistance of specialists from Te Papa (The Museum of New Zealand Te Papa Tongarewa) he has created a magnificent picture book about New Zealand’s forests. He begins with a brief illustrated overview of the ancient forest and the changes brought by Māori and European settlers.

The main body of the book shows the various major trees, from tawai (beech) to rimu, tōtara to matai, rewarewa to karaka. Each illustration is supported by interesting facts, examples of use and sayings. Kahikatea, for example, intertwine their roots for stability, resulting in the Māori saying, ‘Rite tonu he whānau ki kahikatea rākau. Family is like kahikatea trees.

The tōtara has a large illustration of a carved canoe, while smaller illustrations show the tōtara bark’s use as torches and pātua baskets.

Although listed as 48 pages, Rākau actually has 52 pages if you count the two stunning, unfolding tree portraits, each over 50 cm tall!. The kauri is, of course, represented by Tane Mahuta, while the other portrait is of a rata vine which has outlived its host tree and become a forest giant itself. 

As well as the trees, the illustrations show the birds and insects and animals which play their part in the forest world. The bushes, ferns and fungi are shown as well, along with the process of forest regeneration. Native trees which are commonly seen, even in cities, including kowhai and tī kōuka (cabbage tree), are given their due. Even the honeydew of the beech forest is explained.

Ned Barraud’s text is endlessly interesting, and carefully matched to the illustrations. He also provides brief retellings of favourite Māori tree legends, particularly ‘Rata and the Totara Tree’

The design of this book is impressive and two useful glossaries are included. The result is an appealing and useful picture book, which is also fun to read.

 

Trevor Agnew 
4 August 2025   [Review 3787]

 

 

Turkey Hurly-Burly 
Annelies Judson  Nikki Slade Robinson    

 

Turkey Hurly-Burly 
Annelies Judson,
Ill. Nikki Slade Robinson 
Scholastic (2025)
Picture book
Paperback, 32 pages
ISBN 978 1 77543 910 3 

A rampaging herd of turkeys,           

that numbered in the thirties,

rampaged towards the field of play.’

Turkey Hurly-Burly is a funny picture book which cries out to be read aloud.

When Miss Burton asked her class to suggest a classroom pet, she did her best to reject unsuitable creatures such as lunch-eating rats and book-eating goats. Unfortunately, she agreed to a pair of turkeys, Jake and Jenny. Eggs were laid and, in due course, there were lots of turkeys; in fact, ‘a flock, squashed beside the office block.’ When the fence gave way under the extreme turkey pressure, the entire flock of turkeys ‘went storming straight towards the children playing games outside.

What follows is a comic catastrophe of epic proportions, fought out on the playing fields of New Zealand.

It was a turkey-teacher-student free-for-all.’

Not only does Annelies Judson relate a war story worthy of Homer; she also spins her saga in verse. (There is also a very appropriate and funny conclusion, which is more than Homer managed.) Best of all, Turkey Hurly-Burly scans perfectly, so that it can be recited, declaimed or sung.

Then there are the colour illustrations.  Nikki Slade Robinson has created marvellously exaggerated turkeys - all throbbing wattles and bulging eyes – generating mayhem as they forage for school lunches. The pictures portraying the charge of the turkeys are eye-wateringly funny.

The result is an ideal book for reading aloud – or even singing aloud.

 

Trevor Agnew 
9 Aug 2025    [Review 3789]