Showing posts with label 2019. Show all posts
Showing posts with label 2019. Show all posts

Thursday, 23 June 2022

Books about Matariki



15 books about Matariki


Chosen and described by Trevor Agnew, 24th June 2022

1. Matariki, Melanie Drewery, Bruce Potter (ill) Reed (2003) Puffin (2016) 

The whole family go down to the beach for a bonfire before dawn. They cook kumara (sweet potato) and wait for the Matariki star-cluster to rise over the horizon. Nanny tells the children several stories and legends of Matariki. ’Some people say that Matariki is made up 
of the seven houses of the gods, 

and that people’s spirits go there when they die’ said Nanny, wiping tears from her face.
They eat their kumara and bread by the fire on the first morning of the Maori New Year.

This is a good story for showing celebrations within different cultures. The children ask their mother which of the many Matariki legends they should believe. ‘Well,’ said Mum, ‘Think of the story that feels right in your heart. That is the story for you.’

Bruce Potter’s pictures of the stars and the family on the beach are dramatic.

Note: Matariki is also known as the Pleaides, a small cluster of stars. From a New Zealand viewpoint, Matariki vanishes in the east about mid-April, then reappears about the end of May or later, above the north-east horizon, before dawn. The return of Matariki marks the beginning of the Maori New Year. Traditionally the Maori counted seven stars, sometimes described as Matariki and her six daughters. The smell of the food prepared by the watching people was said to revive Matariki, who was weak and hungry after her journey in the darkness.



2. Celebrating Matariki Libby Hakaria, Reed (2006)

This splendidly readable book uses the Matariki constellation as a framework for a range of information about the stars, Maori seasons, fishing, hunting, gardening and legends.

Matariki, known to the Greeks as the Pleiades, marks the beginning
 of the Maori year, when it rises above the horizon in early June. Traditionally the first full moon after the rising of Matariki was a time for feasts and celebrations and the hunting and preserving of birds. A wide range of activities, including telescope-making, kite-flying and cooking are included. (The recipe for Kumara Chowder is excellent.) The book’s design is attractive, with clear double-page spreads, and good use of colour and fact-boxes. The text is well laid-out and very readable.

In a nice touch, the Japanese name for Matariki, Subaru, is noted with a picture of a New Zealand rally team in their Subaru. Several songs about Matariki are included in an accompanying CD, and the lyrics are printed in the book in both English and Maori.

This book fills a gap in libraries and schools, providing background material for fictional books on Matariki. At the same time Celebrating Matariki is so attractively presented that it can be read for simple enjoyment.



3. Glow Worm Night Don Long, Tracy Duncan (ill.) Reed (2004)

This book is about a family observing the Maori traditional New Year, marked by the first appearance of the group of stars, Matariki. A young girl tells how she goes with her father and brother into the nearby bush late at night. They switch off their torches and look at the stars. 
Dad points out Matariki the Pleaides).

After that, everyone looks for glow-worms. 
Then, there they are – glowing along the stream. Glow-worms! Puratoke. They see some nocturnal creatures, such as the morepork (native owl) and freshwater crayfish. 
Later Mum gives everyone Milo and tucks them into bed. ‘Sweet glow-worm dreams,’ she whispers as she switches off the light.
As Tracy Duncan’s handsome colour illustrations make clear, Dad is Maori and Mum is Pakeha (non-Maori). Some of the dialogue is in Maori, as when Dad says, Tino makariri before everyone puts coats on to keep out the cold (makariri). The context and the illustrations always make the meaning clear to non-Maori speakers.
Tracy Duncan’s illustrations always reward careful study. There are creatures, such as the Puriri moth to be spotted in the bush scenes, and books in the house. The young girl is reading Taniwha, by Robyn Kahukiwa.

Note: Matariki, also known as the Pleaides, is a small cluster of stars. From a New Zealand viewpoint, Matariki vanishes in the east about mid-April, and then reappears about the end of May or in June, above the north-east horizon, before dawn. The return of Matariki marks the beginning of the Maori New Year. Traditionally the Maori counted seven stars, sometimes described as Matariki and her six daughters.



4. Scoop and Scribe Search for the Seven Stars of Matariki  
Tommy Kapai Wilson,  Rob Turvey (ill)  Random House (2009)

Tommy Kapai Wilson was a newspaper columnist and children’s author who, in 2008, wrote a children’s action serial for the NiE (Newspapers in Education) newspaper educational supplement. It was revised and reprinted as a book in 2009. Scoop and Scribe search for the Seven Stars of Matariki is slim on characterisation but is certainly a fast-moving fantasy adventure. 
After a tip-off by a mysterious tohunga named Koro Whetu, ace junior reporters 
Scoop and Scribe are commissioned to seek the seven lost stars which form the constellation Matariki (also known as the Pleiades or Subaru).

Whetu guides the intrepid news-crew as they travel around New Zealand collecting the stars, which have been stolen by a kea (mountain parrot). A prominent local feature plays an important part in each chapter, so that the stolen statue of Pania of the Reef is recovered in Tauranga, while at Katikati, Donald Paterson’s sculpture Barry, (the only NZ statue to feature a newspaper) assists in the search.
With its many Maori characters and references, the story is accompanied by a Maori-English glossary and some factual material about Matariki and the Maori New Year.

Rob Turvey’s colour illustrations help make this an attractive presentation of a light-hearted fantasy quest, with an appeal for young male readers.



5. The Seven Stars of Matariki Toni Rolleston-Cummins Nikki Slade-Robinson (ill.) Huia (2008)

The Maori New Year is traditionally marked by the rising of the star cluster Matariki (also known as Subaru and the Pleiades). There are many Maori legends about Matariki.
This picture book retells a Maori tradition of Matariki’s origins, from the Bay of Plenty region of the North Island, and introduces some associated customs and rituals.

Mitai, who lived at Maketu (near modern Whakatane) had the power
 to change himself into a bird.

When his seven elder brothers were entranced by seven beautiful golden-haired women, they ignored Mitai’s warning that the seven women were really patuparaeihe (fairy folk).
Mitai overheard these women (who could turn themselves into fantails) plotting to starve their new husbands to death. He persuaded his brothers – now gaunt with hunger – to weave nets so they could capture their seven murderous wives while they were still in fantail form. Then Mitai flew up and handed the captive fairies over to Urutengangana, god of the stars, who placed them far from Earth. Once a year, the god allows their golden beauty to shine out. So at each winter solstice, the seven stars of Matariki appear above the horizon.



6. Little Kiwi’s Matariki 


Nikki Slade Robinson (text and ill) Duck Creek Press (2016)


The little Kiwi and her friends discover the joy of Matariki in this charming picture book. A beam of moonlight wakens little kiwi. The tiny kiwi realises the time has come and runs through the bush in the darkness. One by one, she wakens her sleeping friends and tells them to come and see something exciting. ‘Can you feel it coming?’

Before long she has a procession of creatures (including 
katipo spider, tui, weka and a family of ruru (owls)) trailing
behind her. Young readers will enjoy the parallel to Chicken-Licken.
Finally they all arrive at the beach and stand in the moonlight, as Matariki rises. They celebrate the New Year in the traditional Maori ways. For example, the katipo weaves a silken kite and flies it as part of the fun and games.
‘Matariki?’ said Tui, ‘Time for music and dance!’ He sang to the stars.
The author’s illustrations are stylised and streamlined representations of New Zealand plants and birds. They are also witty. The tiny owlets are all eyes and the weka (woodhen) is a speedster.

Little Kiwi’s Matariki also includes an explanation of Matariki – it's origins, traditions and how it is celebrated today. The constellation is shown, with the Māori names for each star. The story also offers what Nikki Slade Robinson describes as ‘a gentle introduction to te reo within the English text.

Winner Best Picture Book of 2016 in the New Zealand Book Awards for Children.

Shayne's reading of Little Kiwi’s Matariki is available on YouTube  



7. The Seven Kites Of Matariki  Calico McClintock, Dominique Ford (ill.) Scholastic (2016)

The Seven Kites of Matariki is a modern tale about Matariki. It explains why the star cluster known as Matariki can be seen in an early morning winter sky, low on the eastern horizon.

In a Maori village, seven sisters are making kites to celebrate the arrival of the new year, just as their mothers and grandmothers had before them.
Each girl makes a different kite using local materials; 
the youngest sister, Ururangi makes ‘a many-
coloured kite with eyes of paua shell’.
The seven girls climb a hill to fly their kites and argue with each other about whose kite will fly highest.
‘My kite is the best.’
Unfortuately there is no wind on the hilltop and so the seven girls wrap themselves in their cloaks and wait beneath a giant puriri tree. Exhausted, they soon fall asleep. When the wind blows from the east, crying ‘Wake up. Wake up’ they don’t hear it. But their kites lift up in the wind, which carries them fluttering up into the sky.

Much later, Ururangi wakes up, sees her kite gone and awakens her sisters to tell them of their loss. Her six sisters look out into the morning sky and see their six kites flying there like the new year stars. The six head back to the village for kai (food).
Ururangi remains behind searching the skies for her kite. She is rewarded by being the first to see the seven stars of Matariki appear.

Dominique Ford’s beautiful illustrations capture the symbolism of the story well. Each kite is based on a traditional design and the colours are matched to the appropriate plants and shells used in making them.

Note: Ururangi is the Matariki star traditionally associated with the wind.

Shayne's reading of The Seven Kites of Matariki is on YouTube.



8. Tawhirimatea: A Song for Matariki June Pitman-Hayes, Kay Merewether (ill.) Scholastic (2017)

''Tāwhirimātea, blow winds, blow.’
This picture book (which doubles as a song book) shows the world through the eyes of a Maori family. As they gather shellfish, plant a tree, and have a family picnic, their words are reminders of the importance of the natural world about them. The seasons pass by, until the rising of the stars of Matariki signal the beginning of a new year.
‘Our universe is an amazing nature show.’

The second part of the book consists of the same lyrics, this time in Maori. 
Now, let’s sing it in Maori.’ 
The Maori words are by Ngaere Roberts.
‘Ko te ao nui, he Whakaari, miharo.’

The watercolour illustrations by Kat Merewether perform a double service. They show the family along with the birds, fish and plants in their natural surroundings but they also illustrate the traditional Maori pantheon of supernatural beings. Tāwhirimātea is the god of the winds, and his face appears, cheeks puffed, among the clouds, while Ra provides the sunshine and Ua the rain.

Each picture has its secret for young readers to spot.

On an accompanying CD, both versions of the song are performed by June Pitman-Hayes with her own ukulele accompaniment. There is also an instrumental track for young vocalists to sing along to.



9. Stolen Stars of Matariki Miriama Kamo, Zac Waipara (ill.) Scholastic (2018)

Stolen Stars of Matariki is a splendid picture book bringing some of the Māori traditions associated with Matariki into a 21st Century context.
Young Te Rerehua and Sam are visiting their grandparents at one of Canterbury’s important Maori traditional sites, Te Mata Hapuku (Birdlings Flat), a massive shingle spit and traditional eeling site. It is “a magical wild, windy place,” where they can gather agates on the beach. While Poua (grandfather) is gaffing eels at night, the children lie on the shingle with Grandma, looking up at the stars. One night Grandma spots something strange; there are two stars missing from the Matariki cluster. The patupaiarehe (fairy folk) have been stealing stars again. 
Their plan is to hide the stars beneath the
shingle, to be smashed to pieces, so they can wear the fragments on their clothing.
Using Grandma’s knowledge (and Poua’s gaff) Te Rerehua and Sam manage to infiltrate and outwit the mischievous patupaiarehe, and restore the kidnapped stars to their rightful place in the heavens.
Miriama Kamo has written a beautifully-styled story which has the simplicity and power of traditional folk tales.

Zak Waipara has produced magnificently atmospheric illustrations, with richly patterned and coloured backgrounds. He has successfully achieved the difficult task of mixing human and supernatural characters, as well as the technically difficult feat of portraying night-time activities. The result is a handsome and appealing picture book.

Stolen Stars of Matariki now joins a select mini-library of celebrations of Matariki.
These include Matariki (2003), Glow-Worm Night (2004), The Seven Stars of Matariki (2008), and Tawhirimatea: A Song for Matariki (2017).

In 2018 Scholastic also published a Maori language edition, Nga Whetu Matariki Whanakotia, with the Maori translation by Ngaere Roberts. 

Note: The rising above the N.E. horizon (in May-June) of the star cluster Matariki marks the Maori New Year. While it is common to count seven stars forming the cluster known as Matariki (or Subaru or Pleaides) some Maori identify nine. Their names are Matariki, Pōhutukawa, Waitī, Waitā, Waipuna-ā-rangi, Tupuānuku, Tupuārangi, Ururangi, and Hiwa-i-te-rangi. - info from Christchurch Library Website: The Nine Stars of Matariki

During the 2020 Covid-19 Lockdown, musicians from the New Zealand Symphony Orchestra provided a musical background, as Miriama Kamo read The Stolen stars of Matariki aloud. The composer of the original music is Claire Cowan.
Website: https://www.youtube.com/watch?v=sWWcM0BWwwc


10. Together in Love: a Legend of Matariki  Xoë Hall (text & ill.) Teacher Talk (2018)

This picture book is a brief retelling of the Māori creation legend telling how the children of the gods Ranginui and Papatūānuku force them apart to let in the light and allow the world to flourish. Tāwhirimātea, god of the wind, angered by this action of his sibling gods, tears out his lightning-bolt eyes and throws them up into the sky. They explode to become 
the star cluster of the Matariki constellation, which 
is now the harbinger of the Māori New Year.

 

When Māori come together at new year, to celebrate, they tell this story to their children as their parents did before them.

Xoë Hall’s simple retelling is nicely matched by her colour illustrations. She uses bright colours and traditional Maori designs to make the various gods distinctive figures.

Shayne’s reading of Together in Love is available on YouTube:



11. Twinkle, Twinkle, Matariki Rebecca Larsen (text and ill.) Imagination Press (2019)
Whistle like the windy sky,
Sprinkle showers passing by.


This charming picture book is both simple and useful. Within an over-arching story format of three native birds (Hoiho, Pukeko and Kiwi) touring outer space in a rocket, it presents a series of simple songs (with a familiar tune) about such things as our food, how it is grown, the seasons, the weather,

and of course the stars that act as markers.

Rub your puku round and round
Food we’ve grown, caught or found.


Bright colourful illustrations by the author match the simple songs, which are provided in both Maori and English. Particularly pleasing is the spaceship which is decorated with Maori motifs, an inspiration for young kiwi astronauts.
A pictorial Glossary ensures that all is explained.
These songs scan well and provide young people with useful vocabulary. The words are provided in both English and Maori. (Translators: Tania Solomon, Justin Kereama).

A bonus CD has the songs sung in both English and Maori by Paul Inia. (Music by Richard Larsen.)

Twinkle, Twinkle, Matariki is the perfect book for a kindergarten or kura kaupapa sing-along in English or Te Reo.



12. The Promise of Puanga: A Story for Matariki  Kirsty Wadsworth,  Munro Te Whata (ill), Scholastic (2019)

‘Hana and Puanga did everything together.’
The Promise of Puanga is a picture book about two friends, and the fun they have together, watching new-born animals in spring, swimming in summer and riding their bikes through the leaves in autumn.
A problem in their area is that winter comes without warning, killing the un-gathered crops. When Hana speaks to Puanga about this problem and the need for a warning about the approach of winter, she gets an astonishing confession.
                                                                                                                 
‘I’m really a star,’ Puanga explained.
She has left her Matariki cousins in order to ‘explore and go on adventures.’
Hana has never seen the stars of Matariki because of the nearby hills and mountains.
Puanga summons Tāwhirimātea, the guardian of the wind, to take her back up into the sky to be a guardian for Hana’s village.
Tāwhirimātea promises that when Hana sees Puanga shining brightly in the sky, she will know it is time for the people to gather their crops. ‘She is our own special sign,’ says Hana. And so it happens.

Munro Te Whata’s splendid illustrations convey the friendship of the two girls in several charming scenes. His portrayal of Tawhirimatea is equally skilful, bringing together the colour of the night sky, the shape of the nearby mountain and the suggestion of clouds as his hair and beard.
The result is a lovely modern story based on traditional Maori elements.

This picture book, The Promise of Puanga, fills an unusual gap. In recent years some half-dozen New Zealand picture books have been published with stories about the cluster of stars Matariki, the rising of which signals the coming of winter and marks the traditional Maori New Year. What none of these books has mentioned is that in some areas along our western coasts, mountainous terrain prevents sighting of these stars (also known as the Pleiades, Mao or Subaru). The Promise of Puanga tells in story form how this astronomical difficulty was solved for the Maori people living in these western areas by the rising of Puanga (also known as Rigel).

There are Teaching Notes for this book at: The Promise of Puanga

A diagram showing Matariki and Puanga is at: https://teara.govt.nz/en/diagram/14080/puanga

In 2019 Scholastic also published an identical Maori language edition, He Purakau Matariki, Te Ki Taurangi a Puanga.



13. Flit the Fantail and the Matariki Map  Kat Quinn (text and ill.)  Scholastic (2021)

This third picture book in the Flit the Fantail series is written and illustrated by Kat Quin (formerly Kat Mereweather).
We’re lost! Flit and Keri cry.
Lured by the moonlight and unable to sleep, Flit has left the safety of his nest and ventured down to the dark forest floor. Flit hopes to capture the moonlight (in order to illuminate his nest). Through the trees, he can see the star cluster known as Matariki.
Tahi, rua, toru, whā, rima, ono, whitu, waru, iwa, he counts.
                                                                                                       
Keri the young kiwi, out foraging, offers to help Flit in his quest. They struggle through the bush and scrub and climb up high but are still unable to reach the moon. The pair realise that they are lost. How can they find their way home?
Ruru the owl sees them huddled together and points to the stars above.
Sometimes those special stars can even guide us home.

Flit spots the cluster of nine stars he saw earlier above his home. He carefully pecks nine holes into a kawakawa leaf in the shape of Matariki. Then the two birds make their way home, using the leaf map to follow the Matariki stars. They reach home just before the sun rises. Flit then has a bright idea. Perhaps he can capture the sun and use it to light his nest at night?

The charming colour illustrations are by the author, Kat Quin.

An identical Maori language edition of Flit the Fantail and the Matariki Map was also published by Scholastic NZ in 2021, as Ko Flit te Tirairaka te Mahere Matariki.



14. Daniel’s Matariki Feast  Linley Wellington & Rebecca Beyer (text)
Christine Ross (ill)  Duck Creek Press. 
English ed (2014); Māori ed (2015) and combined English Māori and Chinese pinyin ed (2021).

On his first day at kindergarten, Daniel is shy.                                              

He is puzzled that they will be having a feast 
because of the stars. 
Then he listens to some of the other children 
telling stories of the Māori New Year.

At home Daniel tells his mother about the feast and she makes a spicy pumpkin soup using her late mother’s recipe. (This is a subtle reminder that Matariki is also a time for remembering those who have died.) Daniel has fun working in the garden with his new friends and afterwards he enjoys his Matariki feast.

Christine Ross’s illustrations really capture the world of small boys and also give a good idea of how to greet the Māori new year.


15. Matariki Around the World Rangi Matamua & Miriama Kamo
Isobel Joy Te Aho-White (ill.) 82 pages, hardback, Scholastic (2022)


The subtitle tells it all: A Cluster of Stars, A Cluster of Stories.
Miriama Kamo and Rangi Matamua have gathered stories from around the world that are linked to the distinctive group of stars known to Maori as Matariki. ‘All around the world, the star cluster has different names, different stories, different mahi (jobs), and even different numbers of stars.’ The result is the best book ever written about Matariki.    


The first part of Matariki Around the World describes the Māori traditional creation of the 
world and has handsome double-page descriptions of the Maori gods and the lunar calendar. There are similar double-page retellings of some Māori traditions concerning the attributes of each of the stars Matariki and her eight children (Pōhutukawa, Tipuānuku, Tipuārangi, Waiti, Waitā, Waipunarangi, Ururangi and Hiwa-i-te-rangi). For example Tipuānuku cares for food grown in the earth, and her brightness gives an indication of how kumara crops will fare in the year ahead.
‘Anā! Te paki o Matariki. Behold! The wonders of Matariki.’

The second part of the book offers some retellings of Matariki stories from other cultures around the world. Not only the well-known Pleiades (Greece) and Subaru (Japan) legends are offered but also a range of stories from Africa, Australia, China, India, Scandinavia and North and South America. All are fascinating but the most interesting are the ones from the Pacific, with the similarities and differences sympathetically examined.

The writing style of this book is remarkable. The text is well researched and culturally sensitive but it is also written in a relaxed and witty style. Here the authors are revealing the Viking name for Matariki: ‘So you would think they’d have a pretty tough-guy name for the Matariki cluster, wouldn’t you? Nope. They called it…ahem…Freya’s Hens. Hens? What? Are hens hardy, battle-scarred warriors?’ (We also learn that some Vikings preferred to think of Matariki as a ladybird because of the insect’s seven spots.) Either way, Freya was the goddess who cared for the spirits of dead warriors. ‘So Freya is pretty cool.’
Writing like this makes for enjoyable reading.

Each story is beautifully illustrated by Isobel Joy Te Aho-White.
Best of all, this handsomely designed book has an excellent index and glossary.
It is a picture book which every home should have.

Trevor Agnew  
24 June 2022
The first celebration of Matariki as a New Zealand public holiday.



Sunday, 16 August 2020

MOPHEAD

 

Mophead    Selina Tusitala Marsh

 

Mophead (2019)
Selina Tusitala Marsh
Auckland University Press
88 pages, hardback, NZ$25
ISBN 978 1 86940 898 5

  


Do you want to hear a story/

Um, OK

When I was 10 …

This unusual illustrated story or picture book (or more accurately a graphic memoir) is the author’s cleverly constructed and charmingly-illustrated account of how she came to accept herself, her appearance and her identity. Selina Tusitala Marsh - who was the New Zealand Poet Laureate from 2017 to 2019 - begins her story by telling how 'when I was 10 I was teased for having BIG hair.'

She describes her hair as ‘wild Afakasi hair’. (Afakasi means a Samoan person with some European ancestry.) She tells how she got thick wavy hair from her Samoan-Tuvaluan mother and thin curly hair from her New Zealand-Scottish-English-French father. ‘My hair was so wild that it defied gravity.’ Teased and called ‘mophead’ and ‘golliwog’, Selina tied her hair in a tight bun and her classmates stopped calling her names. ‘I was the same.’

A turning point in Selina’s life was a visit to her high school by poet Sam Hunt. ‘He was tall and thin. He had WILD hair and WILD words.’  Impressed by the way that Sam was happy to be different, Selina made a life-changing decision. ‘I was going WILD.’ Using a few apt words and her quirky illustrations, Selina sketches in her writing career, her inspiring discovery of other wild women (from Queen Salote to Maya Angelou) and what she calls ‘the wild words of Pacific Island women poets.’

When invited to perform her poetry for such celebrities as Queen Elizabeth II and President Barack Obama, Selina is always told, ‘It’s formal. You’ll need to tie your hair back.’ (Her various responses make this book a joy to read aloud.)

As New Zealand’s 11th Poet Laureate, Selina is given a tokotoko (carved ceremonial walking stick) which incorporates a traditional Samoan fly-whisk (fue) made from coconut fibres. To Selina’s delight, the tokotoko reminds her of a mop. 

The story ends (and begins) with Selina’s return to her home on Waiheke Island, with her tokotoko. A small boy mistakes it for a mop and Selina asks him, ‘Do you want to hear a story?’

Mophead is a book for all ages. Its text is exceptionally well-constructed with never a word wasted (as might be expected from a poet). A powerful message is conveyed with wit.

The lively line illustrations and dramatic lettering, which make the book such fun to read, are all by the author. The rear endpapers add another whole layer of enjoyment.

 Trevor Agnew  16 December 2019

It was an exciting experience to read Mophead in December 2019, because I quickly realised that it was a winner, a book young people (and adults) would enjoy reading. In fact, Mophead won the Margaret Mahy Book of the Year Award and the Elsie Locke Award for Non-fiction at the 2020 New Zealand Book Awards for Children and Young Adults. Mophead also picked up a 2020 Storylines Notable Book Award in the Non-fiction category. A winner, indeed.

 

Wot Knot You Got? Mophead’s Guide to Life  
Selina Tusitala Marsh

                                                                                           


 
                                                        

Wot Knot You Got?
Mophead’s Guide to Life
Selina Tusitala Marsh (2023)
Auckland University Press
Creative Playbook
112 pages, Paperback
ISBN 978 1 86940 954 8 

 

Kids are so smart; adults, not so much.’

This delightful book for young readers is hard to label and easy to read. The poet, Doctorr Selina Tusitala Marsh, better known as Mophead, the author of the delightful Mophead books, has now taken over the role of Agony Aunt, offering advice to the young and perplexed. The result is what she calls a ‘creative playbook.’ (An excellent label).

It is natural that someone with a head of hair like Mophead uses the term ‘knot’ as a synonym for life’s problems. ‘One day I woke up to find a big knot. The more I ignored it, the bigger it got,’ writes Mophead, while her exuberant drawings show expanding knotted hair destroying her happiness and self-confidence. She appears, crouched in a dark corner, feeling, ‘NOT good … NOT kind … NOT brave … NOT right.

Her bleak mood lightens when her alter ego, Mini Mophead, reminds her, ‘You’re not the only one with knots. Kids send you theirs all the time!

This is followed by a burst of colour: a double page of children’s letters to Mophead. (Several are reprinted as an endpaper.) Many mention problems and Mophead offers some ways to think about them. Henry asks how Mophead would cope with a ‘devorce between her parents.’ Mophead replies ‘You come from two people who love you the MOST. If they split, don’t forget you’re the BEST OF BOTH.’

She then offers a diagram of herself showing the features she has inherited from her Mum (soft brown skin, loud Samoan laugh, big heart, helpful hands) and those from her Dad (loves reading, likes being alone, big heart, brainy in a non-schooly way). The next page has a similar diagram for the reader to add their own hair and write in the features they owe to each parent.

Similar exercises are applied to other knotty problems, voiced by children.

‘What do you do when you’re stuck?’

‘What if your own ideas stink?’

‘People don’t like me.’

Mophead responds vividly, offering practical steps, using catchy metaphors and cute cartoon diagrams, tossing in puns – and she does the whole thing in rhyming couplets! She deals with everything from How to be a good friend to How to write a letter of apology. By the end, the reader will have good ideas about how to untangle every knotty problem from a Snot Knot to a Hairy McScary Knot.

The author’s illustrations, diagrams and Mini Mophead cartoons are eye-catching and amusing but, more importantly, they are also helpful and positive, 

Wot Knot You Got? has to be the best creative playbook ever published in New Zealand.

Or the world.

 

Trevor Agnew, 19 October 2023 (Review 3592)

 

It was an exciting experience to read Mophead in December 2019, because I quickly realised that it was a winner, a book young people (and adults) would enjoy reading. In fact, Mophead won the Margaret Mahy Book of the Year Award and the Elsie Locke Award for Non-fiction at the 2020 New Zealand Book Awards for Children and Young Adults. Mophead also picked up a 2020 Storylines Notable Book Award in the Non-fiction category. A winner, indeed.

 

 




Tuesday, 23 July 2019

FOUR GECKOS






FOUR GECKOS

Monkey on the Run
Leo Timmers
Gecko Press
30 pages
Paperback, NZ$20
ISBN 978 1 776572 51 9

Otto Goes North
Ulrika Kestere (text and ill.)
Gecko Press
30 pages
pb, NZ$20
978 1 776572 42 7

Zanzibar
Catharina Valckx (text and ill)
66 pages
pb, NZ$20
978 1 776572 56 4

The Runaways
Ulf Stark
Ill. Kitty Crowther
132 pages
Pb, NZ$20
978 1 776572 34 2

These four Gecko titles arrived for review in July 2019. I always enjoy the arrival of books from Julia Marshall’s Gecko Press, because each one is a surprise. These four really surprised because they interacted with each other and got me thinking about some big issues. But they also amused me and gave me hope for the young people who read them. Bear with me and you’ll see why I think children’s books are so important.

Monkey on the Run is a joyous story told entirely in pictures. This makes it a skilfully-laid trap for all those who think they don’t like reading. The plot begins when a father monkey with a motorbike collects his son from school and rides off with him in his banana-shaped sidecar. They drive off down a busy street. That’s the start. The story ends when the pair arrive home, with the young monkey clutching a gift for his mother.  What is it? Where did he get it from? Back to the beginning we go and follow the young monkey’s adventures as he leaps from one vehicle to another.  

Leo Timmers delights in creating crazy cars which are entirely logical if you consider the unusual animals who are driving them. Of course the rabbits would have a fast food van, selling carrot burgers on the move. Naturally a bee taxi has a large hive. Why shouldn’t a rhino’s fire engine employ snakes to slurp drinks and then squirt mouthfuls on fires? Add a young monkey to the mix and the rip down the road becomes even more intriguing. What became of Dad’s ice-cream? Who is stealing dolls? And so it goes on, with all the delightful details inviting the readers to make up their own stories.

Readers of Leo Timmers’ car books probably don’t worry about traffic problems. I sometimes wonder when current concerns enter children’s books. The answer, of course,  is that they
have always been there. Three more of the latest Gecko Press books prove my point.



Take Otto Goes North as an example. The setting is ‘far up in the north’ of Sweden, where Lisa the lynx and Nils the little bear are getting their home ready for a visit by their friend Otto the lemur. ‘He’d been cycling for several months to get there. Maybe even years. A very long time in any case.’ They welcome Otto, who is entranced by the Northern Lights and sets out to paint them. Unfortunately the air is cold that Otto’s nose turns red and he can’t move his hands to paint.  ‘It’s hot where I come from,’ said Otto, ‘My fur isn’t like yours.’  Lisa and Nils put Otto into their sauna to recover, and puzzle out a solution to Otto’s problem. It would be a spoiler to say what they do but it is clever and involves sacrifice, the help of others and quite a bit of skill. Then comes the marvellous moment when they reveal their surprise to Otto. He is able to paint the aurora, and has not one but two marvellous souvenirs of his visit.

It’s a warm story with some amusing conversations, whimsical humour and charming colour illustrations by the author.  It’s only on reflection that we feel the full significance in today’s world of three animals, all with different fur, cheerfully playing board games by the fireplace.

Zanzibar is a droll illustrated story about a French crow, whose imagination is triggered by a visit from a reporter (a lizard named Achille Leblab) who wants stories about ‘exceptional characters.’ Zanzibar suggests his singing might be exceptional. ‘CAW! CAW! CAW!’ Achille, however, is scornful about Zanzibar’s singing. Zanzibar would have liked to have been in the newspaper but now he realises, ‘I’m just ordinary. As ordinary as a crow can be.’ Then he has the bright idea of doing something so amazing that Achille will have to put him in the paper. To avoid spoilers, I won’t say what he does but it is very funny and he has to go to North Africa and make new friends in order to do it. (No spoilers here.) Unfortunately, Achille refuses to believe Zanzibar’s story but his friends do and they reassure him that he has always been remarkable. Through a twist of fate (and the help of another friend) Zanzibar finds that is far more important to keep in touch with friends and to make omelettes than to seek fame.

In an age of viral videos, there is a wonderful and warm message here for young readers. The author’s pictures are fun too. (Why omelettes? Because Zanzibar is a French crow, of course.)

Readers in the (roughly) 10 to 12 range will enjoy The Runaways by Ulf Stark, which can be seen simply as a funny account of a young boy helping his grandfather to escape from his hospital for a weekend. It is indeed funny and enjoyable (as all Stark’s books are) but it also has a bittersweet theme (as all Stark’s books do).  

Gottfried likes his Grandpa but admits that he really is not a nice person. A former ship’s engineer, he swears at his nurses and complains. He is, as Dad puts it, ‘sick and angry and stubborn and crazy.’ Gottfried persists in visiting the old man (bringing him beer and herring sandwiches because Grandpa hates hospital food). He learns that his grandfather has unfinished business at his home. Perhaps because he takes after his Grandpa, Gottfried suggests running away. Surprisingly, Grandpa agrees.

Craftily covering his tracks, so that his dentist father suspects nothing, Gottfried succeeds in getting the old man driven and ferried to his former home, a white cliff-top house, which he had built for his late wife. (An older friend, Adam, helps with the complexities of car driving, and plausible phone messages.) During the weekend they spend in the house, there are memories of Grandma everywhere, but Grandpa finds particular comfort in a jar of her lingonberry jam.

After ceremonially burning his suit (which reminds him of funerals) Grandpa allows Gottfried to take him back to the hospital. Grandpa promises that he will try to stop swearing so that he can surprise Grandma in heaven.  Gottfried is a perceptive narrator who can see past Grandpa’s bluster and understands why he puts a drop of jam into his water glass each day. ‘Grandpa got nicer and weaker with every week that passed.’   Gottfried is able to do one last favour for Grandpa before he dies.

Grandpa was pleased when we arrived. He put in his false teeth and smiled.’

The Runaways is a richly rewarding and unsentimental story, about three generations and their relationships and love for each other. The various conversations about life, duty, words, death, heaven and lingonberry jam are very amusing.

Best of all, Kitty Crowther’s colour illustrations are totally unsentimental and show Grandpa as an ugly, angry old man. Only a grandson could love him.   

We are reading Ulf Stark in English because fourteen years ago, in 2005, Julia Marshall had the bright idea of publishing English translations of the best overseas books for young people. The book which gave her this idea was Can You Whistle, Johanna? which had been published in twenty languages but never in English. Julia Marshall translated it and that was the beginning of Gecko Press. Needless to say, that wonderful book was written by Ulf Stark.

Gecko Press is flourishing, and Can You Whistle, Johanna is still in print. Unfortunately Ulf Stark died two years ago from cancer but the great thing about authors is that their words live on. Especially if Gecko Press has anything to do with it.

Trevor Agnew
24 July 2019


Monday, 22 July 2019

The Clockill and the Thief


The Clockill and the Thief
Gareth Ward
Walker Books
Paperback $20
ISBN 978-1-760651-20-6

 In two weeks’ time, you will be crewing the Swordfish, the finest airship in the Empire.”
The success of The Traitor and the Thief (2018) has enabled Gareth Ward to produce a sequel. Ward’s first steam-punk escapade introduced the larcenous orphan lad, Sin, fleet-footed and light-fingered, who was recruited into the secret security force COG (Covert Operations Group) led by Major C. War threatens Europe unless the fiendish schemes of Britannia’s enemies without (and traitors within) are thwarted.
The sharp tick of spinning clockwork cut the air and, quick as a piston, the watchmek’s steamrifle was at its shoulder.’

As The Clockill and the Thief (2019) begins, Sin and his best friend Zonda are completing a COG training exercise which teaches them that death is a constant possibility in their world of secret missions, assassination and sabotage. While he can use his special skills to stay ahead of the robotic watchmeks, Sin has more difficulty coping with the hostile human beings he encounters.  The fanatically patriotic King’s Knights have injected Sin with a protoype blue blood, which makes him immune to poison, but also means that he is addicted and that his organs are failing. To add to Sin’s concerns, the fanatical Eldritch Moons has escaped and his plans for revenge include Sin’s murder.   

The visit of Sultan Khan’s giant airship, the amazing Sky Palace, for the annual Heroes Ball seems a likely opportunity for some act of sabotage. Meanwhile, Sin and his mixed bag of classmates have their airship training to complete, thus facing a new range of what Zonda calls ‘near-death experiences’.  

Gareth Ward’s inventive mind has produced a range of intricately-imagined steam-powered devices, such as submersible boats, steampistols, the NB88 rotary blunderbuss and submarines which are also capable of flight. Clockwork, however, is the driving force of the terrifying Clockill, a man whose brain and heart have been replaced by clockwork mechanisms and whose blood is cobalt blue. Sin may be able to outwit the other assassins but can he escape the Clockill?

Because almost everyone in the story has an ulterior motive, there are constant intricate plot twists. These make life difficult for Sin but entertaining for his readers. The Clockill and the Thief is rollicking fun, with plenty of hair’s breadth escapes and a whizzbang conclusion.

Trevor Agnew
23 July 2019

Friday, 12 July 2019

Antarctic Journeys Philippa Werry






Antarctic Journeys (2019)

Philippa Werry

New Holland

Paperback, 104 pages

NZ$25

ISBN  98 1 86966 499 2



Ignore the less than inspiring cover. Antarctic Journeys is a good book, ideal for introducing young readers to the Southern Continent.  Readable and well-illustrated, it conveys the grandeur and isolation of the Antarctic experience.

The theme of journeys works well. Philippa Werry begins with the journeys of the ‘heroic age’ of exploration, including several less well-known figures, such as de Gerlache, Borchgrevink and Shirase. Then she gives a completely different perspective by describing the various roles women have played in Antarctica. As well as scientists, the ‘Today’s Journeys’ segment also includes those who help preserve the historic structures.

Antarctica is the only continent where the first structures built by humans are still standing.”

The complex issues surrounding visits by tourists and the changing climate are also discussed. Animal journeys introduce the area’s wildlife, ranging in size from krill to whale. Readers will learn about everything from the threat of king crabs to the easiest way to count penguins. (Happy Feet is here too.) Visiting animals include ships’ cats (Mrs Chippy) sledge dogs (Osman) and Scott’s luckless ponies.



I’ve always been fascinated by the South Pole. I grew up close to the spot above Port Chalmers where Kathleen Scott stood to wave farewell to the Terra Nova expedition (now marked by an elegant memorial). At school we often did projects on Scott, Shackleton and Amundsen, although my personal favourite was always Douglas Mawson. I was more deeply moved by the pony shooting sequence in the 1948 film Scott of the Antarctic than by John Mill’s death scene. I stood at Taieri Airport and watched the heavily-laden Operation Deep Freeze Globemasters and Constellations lurch into the air, with their jato (jet-assisted-take-off) bottles roaring. I relished Peter McIntyre’s display of his Antarctic paintings in Dunedin.

Now that I live in Christchurch I have easy access to the Antarctic Centre with its penguins and Canterbury Museum’s Antarctic display with Hillary’s tractor and a shiny-nosed bust of Amundsen.

I was even lucky enough to be shown through the headquarters of Antarctica NZ and see their stores of cold weather gear and the stunning artworks of the creative people who are chosen to visit and reflect on the Southern Continent. There are painters, poets and even dancers. Some of the best quotes in the book come from Margaret ‘Skidoo’ Mahy.

Philippa Werry (who has at least 15 books in print) was certainly an excellent person to send to Antarctica. She has the historian’s eye and the novelist’s ear. She’s also good with a camera. (You can read Philippa Werry’s diary of her time in Antarctica on:  


Antarctic Journeys not only gave me a fine burst of nostalgia; it also brought me up to date with the daily rounds of the amazing range of people who work there.   It is good on the routines of everyday life at McMurdo Sound and gives a vivid insight into how Antarctica fascinates all those who go there.

It will also fascinate anyone who reads this book.

Trevor Agnew

12 July 2019


Tuesday, 9 July 2019

On the Brink Maria Gill


On the Brink:
New Zealand’s Most
Endangered Species (2019)
Maria Gill
ill. Terry Fitzgibbon
New Holland
32 pages,
Paperback NZ$25
ISBN 978-1-86966-518-0

What a useful book this is.

Maria Gill’s information books for young readers always give a clear, well-organised overview of their subject. ‘Endangered’ is a term that is used loosely, so young researchers often find it difficult to research endangered species because of the torrent of information that pours over them.

On the Brink takes the sensible approach of first defining terms and then looking at the ‘Top Five’ endangered birds, fish, marine mammals and insects.

Take the ‘Top Five Endangered Reptiles, Frogs and Bats’ as an example. They are a frog, two bats a gecko and a skink. For each one, we are given their full name: (Hamilton’s frog, Pepeketua, Leiopelma hamiltoni) as well as their size (37-47 mm), population estimate (300) and a map of their location (Stephens Island). A clever code gives more information. (NC, E means that Hamilton’s frog is endemic, nationally critical and in danger of immediate extinction.) Along with a handsome portrait (artwork by Terry Fitzgibbon, author of Coo-Coo Kereru) each animal has a half-page description of their habits and habitat.  (Guess who lives in moist rock crevices and hatches straight from the egg?) Then there is a rather grim list of things that menace the creature’s survival. As well as the usual suspects (rats, cats, ferrets, stoats) frogs have the added danger of the fungus that is killing frogs world-wide. 
Reading this book, it seems amazing that these creatures have survived at all. Bats have to contend with sparrows, rats, mice and wasps at their roosting sites, as well as the routine threat of logging, fires and predators. There are only 200 to 300 Chesterfield skinks (NCE) living in a paddock bordering a sand dune near Hokitika and they are hunted by mice, rats, ferrets, cats, hedgehogs, weka and possums. (Yes, it’s being fenced.) The Muriwai gecko has the added threat of kingfishers and 4WD vehicles – and no fence.

Maria Gill always finds the perfect phrasing to help the reader visualise the animal. The body of a long-tailed bat is 5-6 cm, or ‘slightly larger than the size of an adult’s thumb,’ and it can travel at 60 kilometres per hour -‘that’s faster than your parents’ car when driving you to school.’

While species such as the fairy tern (45), kokopu (250) and Canterbury mudfish (unknown) are reasonably well known, some of the endangered animals listed are obscure. Insects such as the Mokohinau stag beetle, Tekapo ground weta, Te Paki stick insect, Alpine grasshopper and Forest ringlet butterfly simply don’t have the cuteness appeal of the kakapo (160) or Maui dolphin (55).

The text is supplemented by fact boxes, offering such gems as: ‘The Good News: Five birds that were once thought to be extinct have been found!’

The closing pages of Maria Gill’s books are always interesting and outward-directed and On the Brink is no exception. Here she has pointed out how much can be achieved by one person (such as Don Merton with the black robin) or by people working together (such as the children who campaigned against single-use plastic bags). She has included two pages of suggestions for ‘stamping out refuse waste’ and ‘planting for the planet,’ which young people can work on in their home, their garden or their community.

There is also a good list of websites which young conservationists will find useful. The Glossary uses admirably simple and clear language, e.g. ‘endemic: native, found nowhere else but that one country, indigenous.’  

I particularly admire the Index, which uses sub-headings such as Fish, Predators and Reptiles to make research easier.

On the Brink is a lively and readable book which will inspire a new generation of enthusiastic Kiwis with sympathy for our endangered creatures and an awareness of how to do something about it.


Trevor Agnew
10 July 2019

Saturday, 6 July 2019

Pioneer Women; Volcanoes and Earthquakes


Pioneer Women;    Volcanoes and Earthquakes



Pioneer Women
Edited Sarah Ell
Oratia (2019)
Paperback, 100 pages, $30
ISBN 978-0-947506-59-9

Volcanoes and Earthquakes
Gordon Ell and Sarah Ell
Oratia (2019)
Paperback, 100 pages, $30
ISBN 978-0-947506-60-5

Teachers and librarians alike will remember with pleasure the Bush Press books produced by Gordon
Ell (who was 80 in April) and his daughter Sarah Ell. Generations of school children have benefited from the Ell enthusiasm for writing about our country’s history, wildlife, geography and mythology. Now Auckland
publishers Oratia have tapped the Ells’ collective wisdom to produce a new series of ‘snappily-designed and fact-packed’ non-fiction books, the NZ series.

Volcanoes and Earthquakes is a topical volume, drawing much of its earthquake material from recent events around Christchurch and Kaikoura, while most of the volcanic examples are drawn from the North Island. Yet, the Ells make it clear that volcanic activity has helped shape the landscape of most of New Zealand and warn that ‘most New Zealanders will experience at least one earthquake in their lifetime.’
The Volcanoes section of the book begins with a clear explanation of New Zealand’s place on the Pacific ‘Ring of Fire,’ and explains the consequences of the plate movements for us. A series of succinct essays guides the reader through volcanic eruptions, geysers, mud pools, and thermal springs, and the ways that they form part of our everyday life from thermal power generation to tourist attraction.  It’s not just Rotorua, Tarawera, Taupo and White Island that rate a mention either.  Young readers are warned that Auckland’s fifty volcanoes are part of a ‘sleeping’ volcanic field and could erupt again. There’s a vivid account of the 1886 Tarawera eruption
to give a hint of what might then happen.

The Earthquake section of Volcanoes and Earthquakes begins in a restrained way with fault lines and earthquake measurements, liquefaction and tsunamis, before providing a summary of the impact of recent earthquakes on the inhabitants of the ‘shaky isles’. The Napier, Canterbury and Kaikoura quakes are case-studies covered in more detail.

The prose is clear and nicely aimed at the intermediate and junior high school classes who will be using these books. There are well-organised fact files interspersed through the pages but the most appealing feature is the range of handsome colour illustrations, maps  and diagrams. Many of the photos are satellite images, chosen for the insight they give into the movements of the earth.

A list for further reading and a guide to websites is followed by a useful index.   

Pioneer Women, edited by Sarah Ell, is adapted from two of her 1990s collections of the diaries and memoirs of early European women settlers in New Zealand (The Adventures of Pioneer Women in NZ and The Lives of Pioneer Women in NZ). It is good to have these first-person accounts again easily available. Sarah Ell has dug deep into the letters and diaries in the Alexander Turnbull Library to ensure that we hear some 19th Century women telling their own stories in their own voices.

Eighteen women describe their experiences, beginning with the voyage out, where Charlotte Godley’s quiet cabin passage is a striking contrast to Jane Findlayson’s experiences as one of 28 young single women travelling on a ship with a measles epidemic, a rat infestation and an insane woman on board. ‘We were sorry to hear of another child’s death with measles, we went to the funeral service at 6 o’clock, the mother was pretty brave considering.’

Quiet bravery is on display in many of the other accounts, whether it is Elizabeth Holman being wrapped in a blanket ‘baby and all’ and bundled into a canoe by a friendly Maori chief, as part of a rescue, or the widowed Lizzie Heath, planning to support her three children by opening a store. 
I shall first begin by making and selling ready made clothes to the natives.’

Perhaps the most interesting passages are the women describing their daily routines, with Alicia Chitty describing the process of making her own butter and Ellen Wilson, the seamstress and union leader revealing the bleak working conditions before the Tailoresses Union was formed. ‘The long hours affected my health.’

A good set of illustrations are provided, many of them (such as butter-pats and a camp oven) selected to explain references in the text. An Index is included.

These two books are attractively presented, easy to handle and well suited for their intended readership. Each makes their topic accessible. Oratia plan to issue two volumes per year of the NZ Series, so we can look forward to another double helping in 2020. 

Trevor Agnew  7 July 2019

Thursday, 27 June 2019

Amundsen's Way

9781760637668.jpg



Amundsen’s Way: The Race to the South Pole
Joanna Grochowicz (2019)
Ill. Sarah Lippett
Allen & Unwin
305 pages
Paperback, NZ$19
ISBN 978 1 76063 766 8

This book begins dramatically with a scruffy figure in a filthy old cap and ancient blue jersey striding into a hotel in Tasmania in 1912. It is Roald Amundsen, back from his conquest of the South Pole and desperately seeking his first hot bath for months. Bath-time over, he sends a telegram that the world has been waiting for: the South Pole has been conquered.

With the success of Into the White, her moving account of Robert Scott’s exploits, it was only logical that polar exploration expert Joanna Grochowicz would write her next book of ‘narrative non-fiction’ about the Norwegian expedition which beat Scott’s team to the Pole. Amundsen was a dedicated professional polar explorer and his life story is fascinating, dramatic and often controversial.

Written in the present tense, Amundsen’s Way maintains a mood of excitement tempered with a concern for the unknown dangers. Grochowicz has confined the main narrative of the book to Amundsen’s arduous journey to the South Pole, inserting flashbacks to his key experiences in polar exploration, in order to show how he developed his guiding principles.

Amundsen’s steely personality and his methods of leadership are well shown. ‘Roald is very good at convincing people to do the things he wants them to do.’

I have read many accounts of exploration written for young people but never one with such skilful writing and well-developed structure as Amundsen’s Way. The dramatic team-briefing meeting, where Amundsen reveals to his team that their goal is not the Arctic but the Antarctic, is particularly well brought to life.  Amundsen has lied about his plans to his backers, to Nansen, to the Norwegian Parliament, and even to the King of Norway. He has also mortgaged his own property, so that personal and professional ruin will follow if his attempt at reaching the South Pole fails. The notorious telegram to Scott in Christchurch, ‘BEG INFORM YOU FRAM PROCEEDING ANTARCTICA AMUNDSEN’, is sent and triggers a controversy over ‘the race to the pole’, an issue which is handled with fairness and moderation here. We even have the scene where Amundsen had earlier hidden under his desk to avoid the embarrassment of meeting Scott.

Grochowicz’s research in Norway involved not only visiting the famous Fram but also reading the unpublished memoirs of many of the expedition members. The result is a lively and convincing portrayal of the interactions and tensions between the individual team members. Their gruelling and sometimes gruesome work-load is well depicted.  We also learn rather more about their bodily ailments than some might wish.

The hard-driven sledge-dogs also emerge as personalities (particularly the pup Madeiro, rescued by the Fram’s Captain Nilsen), although there should be a warning for readers who are over-sentimental about canines.  42 dogs set out for the Pole and only a dozen returned for reasons which are described in sometimes alarming detail.

Illustrations and maps are included but they have been poorly done so that every young reader will realise they could do better ones. In other words, it’s the words that matter here. And the words are great (Except when Amundsen says, ‘Okay.’).

Amundsen’s Way is a thoroughly enjoyable and readable story about some very brave people coping with horrific challenges.  It is ideal for making YA readers aware of the pleasures of long-form non-fiction books. Even better, her Acknowledgements section makes it clear that Joanna Grochowicz has plans for further writing, so we can look forward to more books like this one.

Trevor Agnew
3 June 2019