Joy Cowley
Ill. Gavin Bishop
Gecko Press
114 pages
Paperback: NZ$23 ISBN 978 1 77657 105 5
Hardback: NZ$30 ISBN 978 1 77657 147 5
PROLOGUE:
In
December 2016, Gavin Bishop was awarded an honorary doctorate by the University
of Canterbury: Doctor of Education (honoris causa). Citing his “over 70 books,
40 non-fiction stories and 30 educational readers,” the encomium continued, “Mr
Bishop has made a significant, long-term contribution to his own field and to
New Zealand’s cultural development and understanding. In doing so, he has made
a major contribution to the wider national and international community. His
endeavours have brought credit to himself, his family and the University. His
achievements in children’s literature are particularly relevant to the teaching
and research in the fields of teacher education and educational studies and
leadership within the College of Education, Health and Human Development.”
Not
only that, but at the ceremony Gavin looked extremely dignified in his red gown
and medieval cap, adding considerable gravitas to the already dignified proceedings.
Afterwards,
I asked him about his latest book, Helper
and Helper (written by Joy Cowley and illustrated by Gavin) and discovered
that, although I had just received my review copy, he still hadn’t seen the
finished book. He did, however, tell me the story of how Helper and Helper came into being.
That
night, Joy Cowley started writing in her hotel room and by the next day, she
had completed the framework of what was to become Helper and Helper.
REVIEW:
Helper
and Helper reunites the animal world’s oddest couple. Snake
and Lizard (2007) and Friends: Snake and Lizard (2009) introduced
the ill-matched pair of reptilian social workers who give advice to other
desert creatures. Of course, Snake and Lizard have their own constant
disagreements and misunderstandings, which are a source of great amusement for
young readers. Along the way everyone learns something about life. This is
Aesop’s Fables for the internet generation.
Joy Cowley has acknowledged that the personalities
of the two unlikely companions, Snake and Lizard, are lightly based on herself
and her husband. Snake is the clever, controlled
one, thoughtful and caring, while Lizard is kind, full of ideas, and
exuberantly enthusiastic. Together they make an irrepressible team.
Their
patch of the southwestern desert has so many customers with problems that Snake
and Lizard have to expand their underground premises. Along the way they have
arguments about everything from why their clients should be called patients to whose
name should go first on their new signboard.
My
favourite story, The Aunts, concerns Lizard’s fifteen aunts who decide to take
up residence in the newly-expanded burrow, and Snake’s interesting method of
dealing with them. It is a subtle and witty tale, one where the reader sees
slightly more than the characters do. This is truly skilful writing, Joy Cowley
at her best.
The
colour illustrations represent Gavin Bishop at his best. His pictures are an
important element of each story, matching the mood and offering extra insights.
A good example occurs when a misunderstanding leads Snake to fear that disaster
has befallen Lizard. “Snake was helpless
with grief.” The accompanying picture shows Snake coiled up tightly in the
darkness, mouth open in a wail of despair.
The illustrations also show the various desert creatures sympathetically. Even the menacing turkey buzzard appears, or at least its head does. Its eye is alarming, while the eye of the ancient tortoise, shown in another illustration, is wise and compelling. The rugged desert scenery is beautifully portrayed and the striking endpapers depict the wide range of desert birdlife.
Helper and Helper is continually
enlivened – even in the serious moments – by Joy Cowley’s sense of humour and
down-to-earth wisdom. She even enables Snake to solve the age-old mystery of
the difference between telling lies and telling stories.
Snake
says, “Lizard, there is something you
should know about stories. They are just a different kind of real.”
Trevor Agnew
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