Pacific Myths and legends
Retold by A.W. Reed
Illustrated by Jenny Cooper
Oratia (2026)
Moana Oceania series
Picture book, Retellings
120 pages, Paperback
ISBN 978 1 99 004284 3
‘When a big storm
comes to the island of Nauru, the people who live there say to each other, “Oh
dear, Young Spider has stolen the fire again!”’
It is this edition which has now been re-issued with a
different cover and the same words and pictures (although it is minus three
stories; one from Tahiti and two from New Guinea.) To avoid confusion with those
previous editions, the title has now become Pacific Myths and Legends. (This edition has Jenny Cooper’s equally
alarming shark on the cover.)
The re-told stories come from the Chatham Islands, New
Zealand, Cook Islands, Hawai’i, Nauru, Niue, Samoa, Tonga, Caroline Islands,
Fiji, New Britain, Palau, Vanuatu and the Solomon Islands. As well as
favourites such as ‘Hinemoa and Tūtānekai’, there are many less familiar
stories about the peoples, gods and animals of the Pacific region.
An enjoyable aspect of some of these legends is the gentle mocking of foolish or unwise people. Although a wise old man advises his chief, ‘This I have heard from my father who heard it from his father’s father,’ many of the stories sound as though they were passed from mother to mother. A Solomon Islands legend explaining ‘Why the Moon Has a Dirty face’ presents a chief who wants to use a fishing line to hook the moon, so it can be a permanent night-light in his house. His folly is matched by ‘The Foolish Canoe Paddlers’ who forget to raise their anchor and the ‘Six Men Who Tried to Catch a Sunbeam.’
From New Britain, in Papua New Guinea, comes the aptly
titled ‘The Wise Brother and the Foolish Brother,’ with its subtle humour about
a man who failed at housebuilding and fishing: ‘Kabinana was the foolish brother. He thought he was much cleverer than Karvuvu,
so whatever Karvuvu did, Kabinana did it differently.’
Jennifer Cooper’s colour illustrations represent her best work, capturing the
symbolic power and human interest of each of the legends. Her magnificent watercolour
paintings of the stories’ Pacific Island people are complemented by the traditional
Pacific patterns and symbols which help make this such a striking book.

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