Dawn Raid: The Apology
Dawn Raid: The Apology Pauline (Vaeluaga) Smith
with Brooklyn Taylor
Ill. Minky Stapleton
My New Zealand Story series
Scholastic (2026)
Novel, 168 pages
Paperback
ISBN 978 1 77543 981 3
“I thought diary writing was going to be boring but so far it’s been okay.’
Jeremy McRae starts writing his diary in Invercargill in
March 2020 as a school exercise but he quickly finds it a pleasure. ‘My
grandmother Sofia (a.k.a. Granfia) always talks about the importance of keeping
a record of our experience.’ Jeremy finds plenty to record because the
Covid-19 epidemic has just reached New Zealand. Dawn Raid: the Apology, the latest
addition to the My New Zealand Story series, thus records not one but two key events
in our recent history.
This culminates in the truly moving public ceremony, so aptly
described in the title: The Apology.
As usual with the My New Zealand Story series, there is a
lively and useful Historical Note at the end of the story, including
contemporary photographs and a truculent letter from Robert Muldoon. More
palatably, Granfia’s Famous Recipe for brandy snaps is also included.
Note: Co-author Brooklyn Taylor is Pauline Smith’s grandson.
The publishers note that both ‘Pauline and Brooklyn found hanging out together
to learn, research and create this book, side by side, a deeply enriching experience.’
Young readers and adult readers alike will find that entering
this book is also a deeply enriching experience.
Trevor Agnew
10 June 2026
[Review 3844]
Dawn Raid
Pauline (Vaeluaga) Smith
Review by
Trevor Agnew
in Magpies
magazine, May 2018
Dawn Raid
(2018)
Pauline (Vaeluaga) Smith
Scholastic NZ
My NZ Story series
Paperback
ISBN 978 1 77543 475
7
I find myself
in the embarrassing position of reviewing a historical novel, which deals with
a period that I remember. Those two words ‘dawn raid’ have a grim resonance for
those of us who lived through the period of the overstayer controversy. The
novel Dawn Raid is the latest in Scholastic’s
My New Zealand Story series, so it has the familiar format of a diary kept by
an observant teenager during interesting times.
The first thing
to be said about Dawn Raid is that,
despite its serious theme, it is an enjoyably amusing family story. Sofia Savea
is a lively enthusiastic person, who writes with verve about her family,
particularly her disaster-prone younger brothers, Ethan and Tavita. Her diary
begins in June 1976 on her thirteenth birthday, when the big news is the
opening of New Zealand’s first Macdonald’s in Porirua.
It was
certainly a different age. Sofia’s milk delivery job means she can buy
View-Master reels and go-go boots, and she pays little attention to the developing
tension over unemployment rates and overstayers. Sofia looks up to her older
brother Lenny (17) and is impressed by his school speech about the Hikoi and
Maori land rights. Interestingly it is
Lenny’s friend Rawiri who first expresses concern about the rights of Pacific
Islanders and dawn raids by police. (“Me
and Lily didn’t know what they were talking about,” writes Sofia, although she
soon learns more.) The connection between Maori and Pacific Island communities’
response to these civil rights issues is well brought out.
Another strong
feature is that the characters also learn from experience and develop in the
course of the story. This includes Sofia’s hard-working Samoan-born father,
Siaosi, who is rigidly authoritarian and has trouble accepting Lenny’s
involvement with the Polynesian Panther movement. The cleverest change of
attitude comes when Sofia encounters racial hostility from a classmate,
Charlotte. Circumstances force the pair together, producing not only embarrassment
and some fine comedy but also a mutual understanding.
While Sofia is
ebullient in her diary, she finds making a speech at school is an ordeal but
one of the pleasures of Dawn Raid is
watching her rise to the challenge, so that her final speech becomes a rousing
appeal for fair treatment of Islanders.
For the cover,
Minky Stapleton has created an attractive and colourful portrait of a smiling
Sofia, showing her surrounded by symbols – milk bottles, placards, white go-go
boots – which make sense after you’ve read Sofia’s story. The cover style is
very different from the others in the My New Zealand Story series and I hope it
attracts readers.
Although only
four contemporary photos are provided – surely there must be more images
available - the author’s Historical Notes are well detailed, drawing
connections to real people encountered in Sofia’s story. (Even Che Fu makes a
guest appearance as a baby.)
Trevor Agnew Christchurch


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